Where is such succulent and luxurious fruit? On the trees? Somewhere, perhaps, but not very often on the shelves of our local supermarkets. The fruit made for mass production, distribution and transport long-distance is too often tasteless, dry and wooden. It is beautiful on the outside, but completely unappealing on the inside. Also: hard, very, very hard. To survive the thousands of miles on the road, of course, taste be damned...
I remember the pear tree in my grandma’s yard. How soft and fragrant and juicy were those pears! Called, incongruously "klapsy" ("claps"). The ones I buy now are often so hard, they are difficult to cut with a knife, let alone bite! Ah, the dangers of genetic engineering! Was all this technological progress supposed to help us make the world a better place, or just make life easier (and the profit margins greater) for those who sell fruit in "bulk"? What are the GM engineers doing to our fruit? Where are the pears and peaches of yesteryear?
A Pear in a Tree
In a fruit orchard
By the sandy path
I climbed a pear tree
To watch the road
Melt into the horizon
I ate a golden pear
Juice stained my dress
My day dream of white
softness cut short
by the buzzing of wasps
They, too, longed for
The fruity sweetness
Of warm summer pears
They, too, dreamed
Of endless sunlight.
(c) 2012 by Maja Trochimczyk
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With lots and lots to do, I have not even noticed that more than a month passed since my last post here. There are some news and updates from the poetry front:
My Three Postcards from Paris was just published in the July issue of Quill and Parchment: www.quillandparchment.com.
To read you need the username (july) and the password (salmon). This is a special issue with ekphrastic poetry, inspire by artwork. My three poems divide their inspiration between the real Paris I visited in October 2011 and the painted Paris from the lovely watercolors of Ron Liebrecht.
The journal's editor, Sharmagne Leland St. John reprinted the watercolors not only for my poems, but also throughout the journal. These "snapshots" of various European landmarks are seen with a masterly eye towards detail and in a novel perspective. In each of the images, there is something special to notice in passing.
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The "Meditations on Divine Names" anthology has finally been published. In a divided world, this volume brings together poets of diverse spiritual orientations and religious traditions. Their poetry is inspired, luminous. I hope that the readers will enjoy this group effort.
The book is available on lulu and through other booksellers in print format. The digital edition will take a while to prepare: www.moonrisepress.com/divine.html.
The first reading from the new anthology is scheduled for Sunday, July 22, 2012, at 4:30 p.m. at Bolton Hall Museum in Tujunga: 10110 Commerce Avenue, Tujunga, California.
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Convergence
Little by little, we shall see the universal horror unbend, and then smile upon us, and then take us in its more human arms.
~ Pierre Teilhard de Chardin, The Divine Milieu, III: 3 B
everyone is singing around me
everyone
awash in their voices
I stand in the Melbourne cathedral
English vespers, communion
my heart races — I am still
I am taken — the bread circle
becomes my body — I am the bread
white manna surrounds the world
in a blizzard — dancing, falling
I fly with the spirit-wind
encircle the globe
I multiply like loaves and fishes
in the desert
I am eaten, nourish millions
set them on fire
snowing manna
droplets of light
sparks of cosmic
flames everywhere
blur of velocity
heights and depths
swirling whiteness
streams ablaze
on terraced rice-paddies
in musty stone cathedrals
in old wooden churches
shining like amber at dusk
serenity ascends
into translucence
I’m the blanket of light
that covers the world
I’m the song
love sings
(c) 2011 by Maja Trochimczyk
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I saw poems on a sidewalk in New York, London, and now also Berkeley, California.
Here are two found poems I liked in Berkeley:
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