Showing posts with label Poland. Show all posts
Showing posts with label Poland. Show all posts

Monday, February 24, 2025

Poems about Dragon Fruit, Daily Bread, Enlightenment and Memories

 




DRAGON FRUIT AWARENESS

              —for Ian, after Amtrak ride from Arizona

Enlightenment is like the taste of dragon fruit—
refreshing, neither sweet nor sour.
It feels just right when you know if all—
the whys, the therefores. The “Is God evil
since there’s evil all around us?” And
“Where’s God?”—”Omnipresent”—
Spinoza said— “There’s nothing
that is not God.” Or, to put it bluntly,
“everything is divine.”

You say dragon fruit tastes boring,
it tastes like nothing. So does awareness,
neither sad nor happy. You know it all
and you know nothing—
except that the lifeforce of trees
is a million zillion times stronger
than the most powerful weapons
that humans make—except that
the nuclear power of children’s
laughter can break the hardened
rock of an indifferent heart—

except... I cannot fully explain it.
It cannot be put into words.
You just have to taste it yourself.
Here’s a slice of the dragon fruit,
an afterimage of stars in midnight sky.

Its taste? Just right—
neither sweet, nor sour.

(C) 2024 by Maja Trochimczyk, published in California Quarterly 50:2, Summer 2024

                       

I've had several theological discussions with my atheist youngest son, Ian, while my spiritual beliefs went through a complete transformation. Like him, I was an atheist in my youth, but I converted to Catholicism and was baptized as an adult, at 30 years old. Then, after years of emigration and trauma, and the death of my Mother who was a lapsed Catholic admiring Buddhism and talking to plants, I slowly drifted away from dogma, while keeping the cultural affiliation. I've reached a personal awareness about spirituality, cosmos, and my place on this earth that includes reincarnation, each incarnated episode - a new lesson in living well in the body, living well in the material world, and finding the immaterial values of love, gratitude, wisdom and compassion far more important than anything made of dense matter... Inspired by many others, I wrote my own prayers, designed my own meditations, and found footing on my own path - that still involves Catholic traditions and the acceptance of the Commandments as the immutable spiritual law for humans on this planet... Did you notice that Buddhists have the same moral principles as Christians and Jews? - Do not murder, do not steal, do not lie, honor your parents and do not be promiscuous, swayed by desire...

Back to poetry, then. I decided to publish some food-inspired poems after hearing Hilda Weiss read a beautiful poem with these enchanting lines about the evening sky: "...it darkens to blueberry, blackberry, sweet juice of the night..." What a lovely metaphor!  So I thought of publishing these poems together in one post... I also considered the ample pomegranate poems, but then these are for the fall not for the spring, so I'll share them at some other time. 

It is my unique task, in this life, to capture, describe and preserve experiences from my life, and from the complicated lives of my extended family in Poland.  If I do not write it all down, it will be all forgotten... 


ON THE BAKING OF RYE BREAD

I. 

For us, it is all about bread.
It is always about bread. The daily bread.
The sourdough Grandma made in a wooden bowl
baked in a wood-fired oven of dancing flames
and black-sooted pots on concentric metal rings
that could be moved to cover the flames of the stove.

I watched this magic with wide-open eyes
waiting for the bread, hidden far within the dark maws
of the oven until it came out.  Round loaves,
with thick crust around soft warm slices, 
slathered with home-made, melting butter -
add a glass of raw milk, cold from the kanka
chilled in the well overnight - and voila! 
A perfect breakfast, served with the clacking
of storks in the wagon-wheel nest on the pine-top.

The sourdough bowl, a heirloom from great, great, great
grandma, was never washed - a bit of dough left each time 
as starter for the next week's baking of the bread.


II. 

For us, it is all about bread. The rough rye bread 
with bran my Great Grandma baked for her son,
my Mom's uncle, a priest imprisoned in Dachau.
He sent instructions in censored letters with Hitler stamps - 
All is good, so good - each slice to be saturated with lard
in an ugly, sticky mess no thieves would touch.
When guards rifed through packages from home, 
cakes, wheat rolls and treats would disappear, but this? 

Dark bread of survival, fat and rye, kept him alive
through endless experiments on his lungs. 
Was it good luck? Was it bad luck? 
To live unable to breathe without coughing? 
For two decades after five years in hell?
I do not know, I do not read cursive German. 
My aunt showed me his letters last summer. 

Each family, each nation, has its memories of trauma and bliss.
Far in Asia, it is all about rice. Rice paddies, rice paper, 
steaming bowls of plain, unsalted, white rice... 
For us, it is all about bread, the daily bread. 

(c) 2025 by Maja Trochimczyk

This is a new poem based on my own and family memories. In the first part, I conflated the memories of watching my maternal Grandma Maria Wajszczuk mix dough for bread in her "untouchable" breadmaking wooden bowl, kept, with a bit of sourdough starter left in the bowl to continue baking, covered with a linen cloth, in a closed room that kids could not enter. There, jars of preserves were kept - "spizarka." The starter my Grandma used seemed to be as old as the bowl itself, passed on by generations of bread makers.  The bread, baked on Saturday, was to last for a week, two huge round loaves. Later, Grandma used that bowl for making yeast-dough for cakes, and bought bread in the store, so the ancient "starter" sourdough was lost. . . 

The second image, of the stove with iron rings to cover or uncover the flames, was from the home of my paternal Grandma, Nina Trochimczyk. It was my job to keep the temperature of the stove even when cooking strawberry confiture. I had first to start the fire with a sliver of resin-saturated pine wood, and small twigs plus paper, and then to add wooden logs one by one, making sure the fire is neither too large nor too small. Plenty of time for watching the flames! I also loved Grandma Nina's home-made butter and even tried to learn how to beat fresh cream into butter in her wooden box (round vase shape with a beater inside). It was too hard, I gave up after a minute or two. The freshly baked bread for breakfast. There is nothing better! But I hated the warm milk "fresh from the cow" that still smelled of the cow. I enjoyed it only after it was chilled overnight in the well - in a sealed metal container, lowered into water on a chain. Bread and butter with milk - you do not need anything else for breakfast! 

The second poem describes a discovery about family history I made during my 2023 travel to Poland. My Aunt, Barbara Miszta, nee Wajszczuk, my Mom's sister, showed me the family documents she kept, including a stack of over 20 letters from the Concentration Camp in Dachau, written in 1940-1945 by her uncle, my great uncle Feliks Wajszczuk, a Catholic priest first imprisoned in Auschwitz and then in Dachau, along with his cousin Karol, also a priest. 


Father Feliks Wajszczuk was the brother of my Grandpa Stanislaw, and wrote to his mom, my Great Grandma, who baked his bread, dipped each slice in molten lard, and send packages to Dachau. His cousin, Father Karol Leonard Wajszczuk (1887-1942), was imprisoned in Auschwitz, Sachsenhausen and martyred in Dachau. He was the son of Piotr, the brother of my great grandpa Franciszek Wajszczuk, the chairman of the Trzebieszow village. 


I previously mentioned this story of bread, the bread of survival in the title poem of the Rainy Bread collection, added to the volume's second edition, that I kept revising.  



After translating it into Polish and presenting it at a conference in Bialystok's Sybir Museum, I published in CSPS Poetry Letter no. 3 of 2024:



≡ THE RAINY BREAD ≡

~ for Grandma Nina and Grandma Maria, 
because they baked delicious bread

Even if it softened, it fell into the mud
you need to rinse the slice. When it dries out —
it can be eaten.

And this round, fragrant loaf,
which Grandma baked with sourdough?
One bread loaf for a week — it was the best
with cream and sugar crystals.

And this moist, whole-rye bread baked with honey? 
Delicious with butter and — more honey.
After each bite, take a sip of cold milk.
And the war bread, made from leftover, dirty flour?
Worms removed through a sieve. With bran,
sawdust — even a pebble can be found
among grains of sand. But, there it is.

Finally, the bread from the parcels sent 
to Father Feliks, Mom’s uncle in Dachau.
It’s so ugly — no one would steal it.
Whole rye flour, thick slices saturated with lard — 
Today we know: microelements and calories, 
A guarantee of surviving five years of torture.

Give us today our daily bread —
    the daily bread —
            the rainy bread —
                    the bread of life —
                                      bread


photo by Maja Trochimczyk







Friday, September 27, 2024

Poems from "The Rainy Bread" in Bialystok at "Generations Remember" Conference, September 2024

Reading from The Rainy Bread at the Kresy Syberia Foundation's conference 
Generations Remember, 20 September 2024, Sybir Memorial Museum, Bialystok

When Churchill and Roosevelt "sold" Eastern Europe, including Poland to Stalin, and the country lost 48% of its lands, cut off at the River Bug, as well as millions of residents were forcibly displaced, it was hard to guess that the consequences of this betrayal would last for so long and make such an indelible imprint on the collective memory of the nation, its demographics, and its fate. For 50 years Soviet troops were stationed in Poland. For 50 years nobody could publicly say in Poland that 22,000 Polish officers and leaders were murdered by Soviets in Katyn forest. For 50 years, the displaced persons, forcibly removed from their homes, and exiled or resettled into former homes of Germans moved to Federal Republic of Germany, were struggling to rebuild their lives and preserve the memory of the tragedy that impoverished them, cut off their Polish roots, destroyed traces of their homes in what has become Belarus and Ukraine. 

Pink - current borders, red outline - 1919 to 1039 borders, blue outline - one of the proposals for borders in 1945.

While my maternal grandparents and my mother narrowly escaped deportation and / or death in Baranowicze (now in Belarus) where my Mom was born in 1929, many members of the extended family were deported either during the war, or afterwards. Ciocia Tonia Antonina Glinska ended up in a settlement on the shores of the mighty Yenisey river in the middle of Siberia, and returned with one surviving son in the 1950s.  Ciocia Jadzia Jadwiga Hordziejewska was deported with her husband and children from their estate near the mythical lake of Switez to a cramped apartment in  Gdansk Oliva, a building pocked by bullets. Ciocia Irena de Belina and her brother went with Anders Army to Iran, Mexico and ended up in Chicago. ... 

After the death of my parents, I decided to transform fragmented memories of their stories into poems, since I forgot or distorted many details.  This gave rise to the book "Slicing the Bread" followed by "The Rainy Bread" 2016 and 2021 editions, and a Polish translation of selected poems "Deszczowy Chleb." I discussed these poems on my blog "Chopin with Cherries" https://chopinwithcherries.blogspot.com/2021/01/portraits-of-survivors-babcia-prababcia.html, posted selected poems from 2016 and 2021 versions on Moonrise Press Blog. 

https://moonrisepress.blogspot.com/2016/08/the-rainy-bread-poems-of-exile-of-poles.html (2016)

https://moonrisepress.blogspot.com/2021/04/the-rainy-bread-poems-from-exile-by.html (2021).

Then I  posted some original and translated poems on a recent Moonrise Press blog (2024): 

https://moonrisepress.blogspot.com/2024/08/deszczowy-chleb-polish-version-of-40.html

On 20 September 2024, I presented 12 poems from the second version of "The Rainy Bread" with Polish translations in the slides during the Generations Remember conference organized by the Kresy Syberia Foundation and the Sybir Memorial Museum in Bialystok, Poland. There were about 30 people at the reading, mostly children of the WWII-era deportees, who ended up in the U.K, , U.S, Canada or Australia.  My reading followed the keynote presentation by the Museum's director Professor Wojciech Śleszyński, and two other lectures, about children, Polish orphans saved from Sybir in 1920s by Paul Wojdak of Canada, and about reports on the Katyn murders by U.S. Captain Stewart that were ignored and swept under the rug by British government in the 1940s and 1950s, since the Soviet Union was Britain's ally.  


I started the reading from "What to Carry" - a lesson from my Mom, about escaping the war, since it could happen anytime to anyone... 


Picking leaves with Mom in the park. 1960s. 

≡ WHAT TO CARRY ≡

~ for my mother, Henryka Trochimczyk nee Wajszczuk (1929-2013) 

 

You never know when the war will come,

her mother said. You have to be ready.

Most things are unimportant.

You must take your gold, your family jewels.

Diamonds will buy you food. 

Gold will save your life. Forget silver, too heavy.

Take sturdy boots with two pairs of socks,

a warm, goose-down comforter on your back,

one picture, no books. Leave it all.

You will have to walk, sleep in a ditch, walk.

Pack lightly. What you carry, will protect you.

From starving, from freezing. That’s what matters.

Goose-down and gold. Hunger and snow.

 

She still has her goose-down coverlet,

useless in California. Her mother squished it

into a suitcase the first time she came to visit.

The down came from geese plucked decades ago

in Bielewicze, by her Grandma, Nina.

Diamonds? She sold her rings

to pay for the divorce, keep the house

with pomegranates and orange trees.

Her shoes are useless too —

a rainbow of high heels in the closet.


Another poem described the escape of my Grandfather Stanislaw with Grandma Maria Wajszczuk nee Wasiuk with my Mom and her brother Jerzy from Baranowicze on the even of New Year 1940, the last day of 1939. They took train towards the border, walked across snowy field, and were stopped on the other side. The person who robbed them actually was a German soldier who gave them a receipt for 295 gold coins and jewelry he took, Germany never honored this receipt after the war... The lesson from my mother at the end, though useful, was based on her false memory. She was just 10 years old when this traumatic escape took place.  No wonder she forgot details. The photo below is from Baranowicze in 1936 or so, a couple years earlier. 


≡ STARLIGHT ≡

 

The Soviets came in 1939.

They shot her uncle in the street,

and took his widow, Aunt Tonia,

with their two sons to Siberia. All in 24 hours.

 

Her father did not wait. He sold what he could.

They went through the “green border”

back to his family near Lublin.

Germans were not half as bad.

 

Two pairs — a parent, a child — walking quietly

in a single file through deep snow drifts.

Long shadows on the sparkling, midnight white.

The guide took them in a boat across the river Bug.

Smooth, black water between brilliant banks.

Twisted tree branches, turning.

 

The moon hid behind clouds.

Stars scattered.  On the other shore,

the guide told her to take off her coat.

He ripped out the lining, counted

the gold coins her mother had sown

into the seams.  He tore apart her teddy bear,

took the jewels from his belly.

 

I got frostbite on my cheeks and hands that night.

Look at the spots, she told her daughter. 

We had paid him already. You cannot trust

anyone, not anyone at all.

In addition to poems about lessons from my family history, I also wrote about some famous individuals, including Op-Art painter Julian Stanczak, who was deported to gulag, injured in the camp, released with Anders Army, in a displaced persons camp in Uganda, and ended up as a famous artist in America. 

With Stanczak's painting in the background.

≡ UNDER AFRICAN SKY ≡

     ~ for Julian Stanczak, gulag survivor, American painter (1928-2017)

 

    amber and coral

    ruby and carnelian

 

He looks at the brightness of the African sky.

The blazing sunset above the plains of Uganda

His eyes follow the pattern of light and shadow

on the savanna’s tall grass. Dark lines cut

into light on the flanks of a zebra —

he thinks of a donkey back home,

transformed by the extravagant, geometric

boldness of stripes, shining bright —

 

blinding his eyes, used to Siberian darkness

in dim interiors of musty prison huts —

he admires the play of gold and bronze inside

the tiger’s eye — a stone his teacher gave him

for protection and good luck. How it shifts

with each turn, different, yet the same —

lines upon lines of light.

 

The richness stays under his eyelids

as he twists and turns the tiger’s eye

in his one good hand, left — while the other,

a useless appendage, hangs limply

since the beating in a Soviet prison camp.

Shattered, like his dream of music,

the honey-rich tones of his cello.

 


He finds a different-flavored honey

in the richness of African sunsets,

the stripes of the tiger’s eye.  

 

He captures the undulating lines

and blazing hues on majestic canvas,

moving in the rhythm of wild planes

out of Africa, into fame.

 

amber and topaz

                 gold, bronze, and light

                                                 —    so much light  —

 

 

Letters from Dachau to Trzebieszow, 1941-1945.

The reading concluded with the title poem "The Rainy Bread" written after I saw letters from Dachau written by my Mom's uncle, Father Feliks Wajszczuk to my Great Grandmother Jozefa Wajszczuk, including a recipe for the  best bread to be put into packages... 

THE RAINY BREAD

                          ~ for Grandma Nina and Grandma Maria,

because they baked delicious bread

 

Even if it softened, it fell into the mud

you need to rinse the slice. When it dries out —

it can be eaten.

 

And this round, fragrant loaf,

which Grandma baked with sourdough?

One bread loaf for a week — it was the best

with cream and sugar crystals.

 

And this moist, whole-rye bread baked with honey?

Delicious with butter and — more honey.

After each bite, take a sip of cold milk.

 

And the war bread, made from leftover, dirty flour?

Worms removed through a sieve. With bran,

sawdust — even a pebble can be found

among grains of sand. But, there it is.

 

Finally, the bread from the parcels sent

to Father Feliks, Mom’s uncle in Dachau.

It’s so ugly —- no one would steal it.

Whole rye flour, thick slices saturated with lard —

Today we know: microelements and calories,

A guarantee of surviving five years of torture.

 

Give us today our daily bread

 

    the daily bread –

            the rainy bread –

                    the bread of life –

                                              bread


One more poem was read at the next session after lunch, before the panel discussion with the participation of dr Dmitryi Panto, whose family story inspired that poem.



≡ KAZAKHSTAN, 1936 ≡

 

~ for Dmitriy Panto and his Polish great grandparents

 

Expelled, deported, one day to pack. The Soviet rule.

Homes, orchard, farms, animals all left behind.


It was not fair. Why did they hate us?  Why did they lie?

They told us: “There are no winters in hot Kazakhstan.”

They told us: “You do not need warm clothes in hot Kazakhstan.”

They told us: “There is no salt in hot Kazakhstan.”

 

We brought the wrong things.

 

Our friends were taken up north, to a small village.

Posiolki, we used to call them.

The Kazakhs were kind. They helped them out,

gave them wool, sheepskin, old gloves.

 

We had to build our huts in a wide-open steppe.

Dig wells for water. Make bricks of mud.

Dry bricks in the fire. We did not have wood

for the fire. There were no trees to stop the sharp spikes

of wind from piercing our bodies, to keep sand

from hurting our eyes.

 

Old folks and babies died first. We persevered. We labored hard.

 

Only the evenings with howling winds.

Only the night skies with different stars.

Only the foreign sounds seeping into our mouths,

lilting with melodies of a new language merging

with our Polish, strangely frozen in Kazakhstan.  


A Polish field, Trzebieszow, June 2024


With conference Moderator Anna Pacewicz and Stefan Wisniowski from Australia, Kresy Siberia Foundation.


Conference Program is below; the second day included screenings of four films, but I only saw two, so that's homework to do later... 

 

GENERATIONS REMEMBER” 2024 in Białystok

 

Conference Program

with the Sybir Memorial Museum, Węglowa 1, Białystok

 

Friday

 

20 September

08:30 – 09:00

Registration, coffee and refreshments and Conference Welcome

 

09:00 – 09:30

 

 

09:30 – 10:30

 

Conference Welcome and an introduction to the Musuem’s new website, “Polish Cemeteries in Uzbekistan” - Professor Wojciech Śleszyński, Director of the Sybir Memorial Museum (Poland)

 

Session I: The Siberian Children of 1920, An Exploration of Memory – Paul Wojdak, Kresy-Siberia Member and author (Canada)

 

10:30 – 11:30

Session 2: A Short History of the Stewart & Van Vliet Jr MIS-X Code Letters Sent from Oflag 64 During 1943-44 Dave Stewart, son of Captain D. Stewart (US) 

 

 

11:30– 12:00

Session 3: Poems from Exile – Dr Maja Trochimczyk, Poet, Moonrise Press (USA)

 

12:00– 13:00

Lunch break: Restauracja Mozaika (note lunch is not included in the registration fee)

 

13:00 –14:30

 

 

 

 

14:30 –15:30

 

Session 4: International and inter-generational dimensions of history. The Muzeum as leader of International cooperation. – Professor Wojciech Śleszyński, Director of the Sybir Memorial Museum (Poland); Dr Dmitriy Panto, Museum of WWII (Poland); Stanley Urban, Kresy-Siberia Foundation (Poland). Moderated by Anna Pacewicz, Kresy-Siberia Foundation (Australia)

 

Session 5: How the Monument to the Fallen and Murdered in the East came to be General Leon Komornicki, Former deputy chief of the General Staff of the Polish Armed Forces, Poland; Chairman of the Board of the Fallen and Murdered in the East Foundation. Co-creator of the Monument to the Fallen and Murdered in the East (Poland)

 

15:30 – 15:50

Break and refreshments (coffee, tea, biscuits)

 

15:50 – 16:50

 

 

16:50 – 18:00

 

 

 

Session 6: Return to Kresy (Osada Korsuny) from a one-way trip to Archangel Stanley Urban, Kresy-Siberia Foundation (Poland)

 

Session 7: Myths and lies associated with the so-called "Repatriation. About the expulsion of Poles from the Borderlands during 1944-1946” – Thomas Kuba Kozłowski, Dom Spotkań z Historią (Poland)

 “Generations Remember” Conference and Reunion 2024 is organised by the Kresy-Siberia Foundation

with the support of the Sybir Memorial Museum, Białystok