Showing posts with label vacation. Show all posts
Showing posts with label vacation. Show all posts

Thursday, July 18, 2024

What's Better - the Stream or the Ocean? Reflections from a Peaceful Summer

A path through the Big Tujunga Wash, July 2024

 
Summer is the time of doing nothing. Or it used to be, way back when in Poland: when I truly "vacated" my mind after working hard and getting all these "A"s in two parallel high schools - math-physics division of High School No. 33 named after the astronomer Mikolaj Kopernik, - and Music High School named after Jozef Elsner, Chopin's teacher... Two achievements stand out from the high school years - winning the school-level Copernicus Physics competition and defeating all the boys who thought that a girl cannot have a brain (in my freshman year) and getting a tie for the highest score on IQ test at 143 with the school's math genius (in my senior year, when I became the school's only valedictorian, and paradoxically, decided to study music history instead of something practical and useful, like medicine or economics...

So, after burning my brain on problem-solving, math formulas and 3-D "stereometry" I was ready for long hikes in the fields and forests, picking mushrooms and blueberries, making strawberry preserves, arranging wildflower bouquets, and reading the silliest fantasy books and light-weight magazines in the orchard, under trees full of fruit and birdsong. . . Two full  months of brainless fun and relaxation. I could add to the list (from my college years) sailing, singing all-night by the bonfire, or (from my childhood) - jumping off the top of hay stacked up in the barn, and meticulously peeling green walnuts - the kernels are really sweet if the yellowish thin membrane is taken off! That latter job was performed on boring, rainy days. Oh, the blessed time of slow living... 

Big Tujunga Wash in bloom, May 2024

At this point of my Californian life, I take "mini-vacations" of one day, one afternoon, or just an hour for a walk in the Big Tujunga Wash, wading in the stream, watching the quail quench its thirst without paying any attention to me. I stop and look at the leaves of the cottonwood shaking in the breeze, under the clearest azure sky. I admire the breaking pattern of reflections, tree-trunks shape-shifting on the smooth surface of the wading pool, made by a mini-dam of rocks. (Very controversial, these mini-dams; some people put them up, other dismantle them, and so it goes, on and on). After an hour drive west, I become still and silent in front of the never-ending procession of ocean waves, crashing and crashing and coming back to crash again... 

https://www.youtube.com/watch?v=7syvHytux2Q&t=14s

    

    The Stillness of Trees


The singing tree sings just for me.

Its song flows around the globe        in murmuring waves of leaves

   that caress each other and 

   twirl away in gusts of wind

longing for freedom.

 

It is the stem that gives them life, pours nutrients into the heart—shaped cottonwood marvels. 

It is the connection, the lifeline 

that matters.

 We are the leaves on the cosmic tree,        

                    linked by bright cords of energy—

                                  the crystalline liquid, golden light.

    We dance in the breeze of time.

We sing

our song of joy— the joy of light—

the light of dawn—

of high noon, of afternoon’s

golden hour, waning into dusk—

in that peculiar soap-bubble sky, 

              ready to burst open and reveal

                          the velvet coat of the night 

with diamond star buttons.

 

Is it all clear for you, too?

                      Have you found your 

                                             glowing bubble of the sky?

 

I’m here, singing to the singing tree, learning to dance from stiff leaves

on flexible stems, in strength and grace 

of twigs and branches — healing, laughing,

humming with me, singing 

                               a miraculous song 

                                                 of the cottonwood tree.


(C) 2022 by Maja Trochimczyk, published in the "Crystal Fire" anthology (2022). 


Alchemy in the Hills


Rarefied air opens up to reveal 
rocks in the mountain stream,
scattered sparks of reflected sunrays, 
shimmering golden waves of water 
spreading in circles from where
I stand on thick grains of sand. I watch
a wild sunflower unfurl its petals.
I smile at the aerial acrobatics of sparrows, 
orioles and the small yellow-gray
birds of unknown names. The scents 
of white sage and sumac fill the valley, 
ringing with the buzz of a myriad of bees
hovering about cotton-ball arrays 
of wild buckwheat. It is not much,
but it is enough: rock, sand, and leaf enough.
 
Children’s laughter flows towards me 
from another wading pool, upstream. 
They splash and laugh, laugh and splash,
 amused by every droplet. I rest in
the center of my universe, at a still point
f my turning world, where all elements— 
air, rock, sand, water, sunfire—
merge into one blessing of being here, 
sharing this space, this time with 
children’s laughter, with lily-white
yucca blossoms stretching to the sky, 
and a single blade of grass guarding
its spot between stones on the creek shore.

(C) Maja Trochimczyk, published in the "Crystal Fire" anthology (2022)


Big Tujunga stream, July 2024

What pastoral beauty, pure serenity, tranquil charm!  But the stream has not always been as placid. After rain, it was filled with muddy brown swirls and cappuccino-like foam (video from March 2023, one in a series of four). This muddy river inspired A Ballad of New Heart a while ago, posted on this blog in 2019: https://poetrylaurels.blogspot.com/2019/02/blog-post.html

https://www.youtube.com/watch?v=FpcaAMHF9kM

The video of the muddy stream is from March 2024 though, when the stream jumped out of its bed and shifted 50 meters south forming a new bed, cutting out our pathway... This is just an inkling of the immense power of water in motion. To fully grasp this concept, you have to go to the coast and visit the Pacific Ocean. Luckily, it is only an hour away by car; a mere 53 miles... Perfect afternoon of doing nothing,  watching the water come in, and out, and in and out. Smaller waves, bigger waves, reaching my toes, leaving too soon, and in and out and on and on... Endless motion, always different, always the same...

Mandalay Bay in Oxnard, 2023

Pacific Ocean, July 24, https://www.youtube.com/watch?v=qSL_tyrsdpQ&t=9s

The Ocean of Jade

  

spoke to me  

yesterday

waves came to the shore

to caress the sand

and paused in midair

waiting for me to notice

their smooth jewel surface

their secret glow and the wisps

of  white sea-foam  twining through

 

  the air like lace on a collar

or an intricate shawl 

                         worn by an ancient Lady Wisdom

the ocean of jade

spoke to me

look         and love

look                   and     breathe            be        in awe

 admire the infinity of magic

jewels hidden and revealed

        in one sweeping motion

               the same wave that came

to the shore

to caress

the sand

and paused

in mid-air

                                                                                    just for me

  

 (c) 2022 by Maja Trochimczyk, published in "Bright Skies" (Moonrise Press, 2022) .

That's where I got to fly my kites. I recently got a new one, three-D parafoil kites without any skeleton in it, the air fills it and gives it the proper shape of a black-and-white Orca, the Killer Whale... The Kitty Hawk website has the most astounding selection of kites... 

https://www.youtube.com/watch?v=zyWGLTd11Bg


A Whale of a Song


They sing, as they ride the waves,

laughing.  They sing to the depths

of the ocean, reaching its sandy bottom,

submerged peaks and valleys.

 

Their song echoes through

the crystalline expanse of the sky,

bounces off the translucent

rays of starlight.

 

They dance on the waves, weaving

the web of love from their song.

 

In the invisible rhythm of seven billion

heartbeats, they encircle the globe,

traversing all the oceans.

 

Did you know

that whales and dolphins

are our cosmic guardians?

 

Did you know

that Orca, the whale,

is my patron saint?

 

I have a totem stone to prove it,

a gift from a seer who once told me:

 

Do not forget to listen

to life-giving music.

Do not ever forget

the song of the whales. 


(C) 2016 by Maja Trochimczyk, 

published in "Into Light. Poems and Incantations"


The daily dose of peace and relaxation may also be found in the spring in my garden.  The mockingbird filled it with song in April, May and June.  By July, the curious, mechanical screeching of the orioles replaced the melodious voices - they are so beautiful, with gold and black plumage, so that's why their voices are nothing at all. In contrast, the mockingbirds sport camouflage beige-brown hues so they look like rocks on the ground and branches in the trees... But their voices fill the air with beauty....

Rose Garden where Mockingbirds like to sing, May 2024

To Mock a Bird in Ten Stanzas

 


I listen to its song every morning,

yet I’m still surprised when it opens its wings

in flight, moving to a new perch for the next tune

to claim its territory in my garden.

 

White stripes on the wings and tail shine brightly

like a child’s toy, the old-fashioned wiatraczek

twirling in the wind, delighting the girl

with the beauty of time-space in motion.

 

Why am I here? Loving the sounds of unfamiliar birds,

surprised that I made it so far, to the shores

of the Pacific, into the depths of the English language

I only pretend to master—still unfamiliar after 40 years.

 

Was this the purpose then of my mad pursuit

Of happiness? My American, naturalized birthright?

This feeling of estrangement, of non-belonging

in the garden, among lush greenery and warm rose hues?

 

White, cream, gold, pink, orange fuchsia, wine-red

from rosé to burgundy—ever more fragrant

in each iteration of petals, unfurling

under the symphony of mockingbird’s melodies.

 

He out-sings himself this April morning.

A territorial male , he chased away his rivals

to the riches of abundant nectar, seed, shelter

in a space that I care for, so birds can sing.

 

Sing away their love of life and sing

just for me, so I’d learn to love my life as well,

even though—even though—come here, come here—

laugh—laugh, laugh, laugh, laugh—with me—

 

with me —with me—what a bright day –

bright day—see—see – see – see – see—

it is done! Done! Lovely—lovely—lovely—

day—day day day day—smile, smile—don’t fret!

 

Would I have the courage to accept

this invitation be always present,

serene—overflowing with the pure joy

of living in the moment?

 

After sixty years of never-ending failures,

can I even try again? Try again—try again

—again again again — New song. You sing.

I sing. Too—too too too too too—here—here—

here—and now


(C) 2024 by Maja Trochimczyk


Mockingbird in a rose garden, April 2024. https://www.youtube.com/watch?v=FdS-nTsj1dk&t=36s

But peace and tranquility can be found everywhere, even without the songs, without the stream, without the ocean. . . I wrote new poem while looking at my mantelpiece with souvenirs from Poland, Arizona and California....


An Ode to My Heart, or The Ultimate Tribute to Myself

 

 

The heart in the middle of my stained-glass souvenir

from Tucson, Arizona, shines opalescent green, more precious

than an ancient jade bracelet of Chinese Empress.

 

It is carried by twin wings of three feathers each:    

—red, orange, and gold on the right,

—the wing of the body, blood and bones,

    of my shape and strength in this incarnation—

I am a woman now

 

—aqua, azure, violent on the left,  

—the wing of timeless flight from emotions

    into words, into thoughts, into the purest state

    of being—intuition—expression—contemplation

                                                                        I am a human now

 

My heart is not alone. The ruby-and-amber,

3-D Merkabah star glows on the right — —— — ——

  here—the Earth

The pearly white, softest blue, and clear crystal,

double-six-pointed star shines on the left ——————

       there and nowhere—Heaven

 

I’m well protected. I’m well guarded.

I’m well guided on my way through the thicket

of chaotic entanglements in a convoluted mess of desires.

 

With this heart, with these wings, with these stars

I can rise above the daily turmoil of fabricated news,

spurious pursuits, and needless temptations.

                                                                       

I can be—I am —FREE —to be

myself, to find my true heart—

deeply hidden beneath masks that grew in decades

of conforming to other people’s plans for me—

do what your parents say

do what your teachers say

follow the leader

 

No, I will not follow.

 

I will blossom into my own intense, immense,

crystalline star of cosmos, star of order, star of beauty!

The magic star of delight. The brightest star

of all-encompassing Love—for which this word

is woefully inadequate, as if it truly belonged with all the other

four-letter words— Fear—Hate—Shit—Fuck—Death—

No, that’s five letters—

 

—So, maybe, just maybe, it should be—

                        Six —               DIVINE

                        Eight —           PRESENCE

                        Ten —             PERFECTION

                        Twelve —        TIMELESSNESS

           

Or, perhaps just   Three —   WHY

                                             Two —    AM

                                             One —    I?

 

                      Why am I?




         Yucca whipplei gone to seed, Big Tujunga Wash, July 2024


 

Sunday, September 2, 2012

Three Postcards from Paris of Ron Libbrecht

Maja Trochimczyk Reads "Three Postcards" at Bolton Hall Museum, 2012
Last October I went to Paris for a week as a guest of the Polish Institute and one of the speakers at the International Conference on Maria Szymanowska.

After coming back I saw Ron Libbrecht's watercolor from Paris and a series of ekphrastic poems was born. Hilda Weiss of Poetry LA recorded them and posted on the site and on YouTube. The poems and the inspirational paintings were also published in a monthly online journal, Quill and Parchment, vol. 100, July 2012.


THREE POSTCARDS FROM PARIS

~ inspired by Ron Libbrecht's watercolors and a trip to Paris



Pont Neuf, Paris by Ron Libbrecht
 1. A New View of Pont Neuf, Paris

It is not that I do not want to rest here
On this greenest of grasses
In the shadow of massive branches
Of London plane trees, platane commun,
Maple leaf planes, Platanus hispanica,
It is just that my geography is as confused
As that of the tree – Polish, Canadian
Californian – everything I see
Carries multiple shadows of things remembered
Doppelgänger of memories
Like that park with a sandbox and benches
By the Zoo in Warsaw where we ate white clouds
Of candy-floss under the poplars
Discussing the shape of spots on the neck
Of the giraffe and hippopotamus’s awful teeth



2. The Tower and the Crane

After I filled my eyes with the splendor
Of stained glass rainbows at La Sainte Chapelle
An orgy of royal fleur-de-lis
With cranes and ravens carved into the floor
Medieval creatures waiting for a sign
To spread their wings in flight

Exhausted by history
I looked for a bench not smelling of urine
Under the sky’s pure crystal
Watercolor birds from the pages of Audubon
Stopped me at a bouquiniste’s stand
Near Quai Voltaire

Should I get the crane for a blessing of long life?
Or a kingfisher? Hopkins said they “catch fire,
Dragonflies draw flame”

To each their own – I choose a poster
With the flags and balloons
Of the 1889 World Fair
They billow and float around the edifice
Of stainless steel, Eiffel's glory

I know, I know – the stone carvings
Of beaks, claws, and beady eyes
Will outlive me and my paper Tower




Paris, Watercolor by Ron Liebbrecht
3. Paris, October
 
On the way back
To the Institute Polonais
Not far from the twisted flames
Where Princess Diana died
In the tunnels under Pont d’Alma
I walk by a maple and a young oak
Encircled by wrought-iron fence
An oasis of gold and bronze
Among the streets, cars, metal rivers
Of the 16-eme Arrondissement

Sales are brisk at Chanel and Versace
During the Paris Fashion Week
Charcoal and diamonds are in style
The black-clad models look indifferent
Not one of them dressed
In the splendor of lilies
The richness of autumn leaves

I wonder

Sheltered by sunlight,
We find refuge from cosmic wind
And the gnashing of teeth
In the darkness outside
___________________________________________

Paintings by Ron Libbrecht, copied by permission.
YouTube Reading by Poetry LA: Maja Trochimczyk at Bolton Hall, February 2012

Publication: Quill and Parchment, vol. 100, July 2012




Thursday, July 19, 2012

Harvesting Pears and Poems

Dahlias in San Francisco, (c) 2012 by Maja TrochimczykThe dahlias are in full bloom. It is time to eat fruit fresh off the trees. Time to walk in the orchard, pick apricots and make smooth, orange, tangy and fragrant apricot jam. Time to climb up the ladder and pick the plums, split in half by a sudden rain shower. You can eat them straight off the branches, or pick and drop in the box to make plum preserves for filling in donuts, or to bake a plum cake, or, for the gourmet cooks, among us, to pickle them in vinegar with a touch of cinnamon and cloves.

Where is such succulent and luxurious fruit? On the trees? Somewhere, perhaps, but not very often on the shelves of our local supermarkets. The fruit made for mass production, distribution and transport long-distance is too often tasteless, dry and wooden. It is beautiful on the outside, but completely unappealing on the inside. Also: hard, very, very hard. To survive the thousands of miles on the road, of course, taste be damned...

I remember the pear tree in my grandma’s yard. How soft and fragrant and juicy were those pears! Called, incongruously "klapsy" ("claps"). The ones I buy now are often so hard, they are difficult to cut with a knife, let alone bite! Ah, the dangers of genetic engineering! Was all this technological progress supposed to help us make the world a better place, or just make life easier (and the profit margins greater) for those who sell fruit in "bulk"? What are the GM engineers doing to our fruit? Where are the pears and peaches of yesteryear?

Maja Trochimczyk and Anna Harley Trochimczyk eat peaches in San Francisco
A Pear in a Tree

In a fruit orchard
By the sandy path
I climbed a pear tree
To watch the road
Melt into the horizon

I ate a golden pear
Juice stained my dress
My day dream of white
softness cut short
by the buzzing of wasps

They, too, longed for
The fruity sweetness
Of warm summer pears
They, too, dreamed
Of endless sunlight.

(c) 2012 by Maja Trochimczyk


____________________________________


With lots and lots to do, I have not even noticed that more than a month passed since my last post here. There are some news and updates from the poetry front:

My Three Postcards from Paris was just published in the July issue of Quill and Parchment: www.quillandparchment.com.

Anturium in San Francisco (c) 2012 by Maja Trochimczyk To read you need the username (july) and the password (salmon). This is a special issue with ekphrastic poetry, inspire by artwork. My three poems divide their inspiration between the real Paris I visited in October 2011 and the painted Paris from the lovely watercolors of Ron Liebrecht.

The journal's editor, Sharmagne Leland St. John reprinted the watercolors not only for my poems, but also throughout the journal. These "snapshots" of various European landmarks are seen with a masterly eye towards detail and in a novel perspective. In each of the images, there is something special to notice in passing.
_________________________+++____________

The "Meditations on Divine Names" anthology has finally been published. In a divided world, this volume brings together poets of diverse spiritual orientations and religious traditions. Their poetry is inspired, luminous. I hope that the readers will enjoy this group effort.

The book is available on lulu and through other booksellers in print format. The digital edition will take a while to prepare: www.moonrisepress.com/divine.html.

The first reading from the new anthology is scheduled for Sunday, July 22, 2012, at 4:30 p.m. at Bolton Hall Museum in Tujunga: 10110 Commerce Avenue, Tujunga, California.

________________________________________


Convergence

Little by little, we shall see the universal horror unbend, and then smile upon us, and then take us in its more human arms.
          ~ Pierre Teilhard de Chardin, The Divine Milieu, III: 3 B

everyone is singing around me
everyone

awash in their voices
I stand in the Melbourne cathedral

English vespers, communion
my heart races — I am still

I am taken — the bread circle
becomes my body — I am the bread

white manna surrounds the world
in a blizzard — dancing, falling

I fly with the spirit-wind
encircle the globe

I multiply like loaves and fishes
in the desert

I am eaten, nourish millions
set them on fire

snowing manna
droplets of light

sparks of cosmic
flames everywhere
 
blur of velocity
heights and depths

swirling whiteness
streams ablaze

on terraced rice-paddies
in musty stone cathedrals
                                                                      
in old wooden churches
shining like amber at dusk

serenity ascends
into translucence

I’m the blanket of light
that covers the world

I’m the song
love sings


(c) 2011 by Maja Trochimczyk
______________________________________

I saw poems on a sidewalk in New York, London, and now also Berkeley, California.

Here are two found poems I liked in Berkeley:


Sidewalk Poetry in Berkeley  (c) 2012 by Maja Trochimczyk

Sidewalk Poetry in Berkeley  (c) 2012 by Maja Trochimczyk