Thursday, October 29, 2015

Rain or No Rain? From Whisper to Torrent of Despair to Absence

The sound of rain has preoccupied poets "since time immemorial" - and rightly so.  There are few more soothing sonorities than the music of raindrops on the leaves of the camellia outside my window. Even the rat-tat-tat signals of larger drops loudly attacking the tin roof of my patio are a welcome diversion after weeks and months and years of drought in California.  

On the few days of winter when low clouds cover the hill slops like scarves or blankets of fog, I'm happy and wait for the water that will make my garden happy. The trees will be happy, the bushes, the roses, the grass - all stretching their branches and leaves up towards the sky, towards the life-giving nourishment of rain. And singing their songs in silence. Lets hear the voices of poets, inspired by rain...




Like Rain it sounded till it curved 

by Emily Dickinson

Like Rain it sounded till it curved
And then I knew 'twas Wind --
It walked as wet as any Wave
But swept as dry as sand --
When it had pushed itself away
To some remotest Plain
A coming as of Hosts was heard
It filled the Wells, it pleased the Pools
It warbled in the Road --
It pulled the spigot from the Hills
And let the Floods abroad --
It loosened acres, lifted seas
The sites of Centres stirred
Then like Elijah rode away
Upon a Wheel of Cloud.


The Fury of Rainstorms 

by Anne Sexton

The rain drums down like red ants,
each bouncing off my window.
The ants are in great pain
and they cry out as they hit
as if their little legs were only
stitche don and their heads pasted.
And oh they bring to mind the grave,
so humble, so willing to be beat upon
with its awful lettering and
the body lying underneath
without an umbrella.
Depression is boring, I think
and I would do better to make
some soup and light up the cave.




It is the depressive darkness of stormy clouds and the danger of too much water, both literally (rain) and figuratively (tears) that "asks" for a shelter from the rain and turmoil, under a light-filled umbrella... so beautifully portrayed on a card by Kathy Gallegos, Director and Founder of Avenue 50 Studio in Highland Park.

The Rainy Day 

by Rabindranath Tagore

Sullen clouds are gathering fast over the black fringe of the forest.
O child, do not go out!
The palm trees in a row by the lake are smiting their heads
against the dismal sky; the crows with their dragged wings are
silent on the tamarind branches, and the eastern bank of the river
is haunted by a deepening gloom.
Our cow is lowing loud, ties at the fence.
O child, wait here till I bring her into the stall.
Men have crowded into the flooded field to catch the fishes
as they escape from the overflowing ponds; the rain-water is
running in rills through the narrow lanes like a laughing boy who
has run away from his mother to tease her.
Listen, someone is shouting for the boatman at the ford.
O child, the daylight is dim, and the crossing at the ferry is closed.
The sky seems to ride fast upon the madly rushing rain; the
water in the river is loud and impatient; women have hastened home
early from the Ganges with their filled pitchers.
The evening lamps must be made ready.
O child, do not go out!
The road to the market is desolate, the lane to the river is
slippery. The wind is roaring and struggling among the bamboo
branches like a wild beast tangled in a net.

Big Tujunga Wash with Rainclouds

The favorite Polish poem about rain was written by Leopold Staff (1878-1957), who heard in the rain the sounds of despair, death, loneliness and desolation - portrayed with a typical fin-de-siecle exaggerated fashion. I found an English translation of Staff  on MLingua Forum:  http://forum.mlingua.pl/showthread.php?t=31650

Deszcz jesienny

By Leopold Staff


O szyby deszcz dzwoni, deszcz dzwoni jesienny
I pluszcze jednaki, miarowy, niezmienny,
Dżdżu krople padają i tłuką w me okno...
Jęk szklany... płacz szklany... a szyby w mgle mokną
I światła szarego blask sączy się senny...
O szyby deszcz dzwoni, deszcz dzwoni jesienny...

Wieczornych snów mary powiewne, dziewicze
Na próżno czekały na słońca oblicze...
W dal poszły przez chmurną pustynię piaszczystą,
W dal ciemną bezkresną, w dal szarą i mglistą...
Odziane w łachmany szat czarnej żałoby
Szukają ustronia na ciche swe groby,
A smutek cień kładzie na licu ich młodem...
Powolnym i długim wśród dżdżu korowodem
W dal idą na smutek i życie tułacze,
A z oczu im lecą łzy... Rozpacz tak płacze...

To w szyby deszcz dzwoni, deszcz dzwoni jesienny
I pluszcze jednaki, miarowy, niezmienny,
Dżdżu krople padają i tłuką w me okno...
Jęk szklany... płacz szklany... a szyby w mgle mokną
I światła szarego blask sączy się senny...
O szyby deszcz dzwoni, deszcz dzwoni jesienny...

Ktoś dziś mnie opuścił w ten chmurny dzień słotny...
Kto? Nie wiem... Ktoś odszedł i jestem samotny...
Ktoś umarł... Kto? Próżno w pamięci swej grzebię...
Ktoś drogi... wszak byłem na jakimś pogrzebie...
Tak... Szczęście przyjść chciało, lecz mroków się zlękło.
Ktoś chciał mnie ukochać, lecz serce mu pękło,
Gdy poznał, że we mnie skrę roztlić chce próżno...
Zmarł nędzarz, nim ludzie go wsparli jałmużną...
Gdzieś pożar spopielił zagrodę wieśniaczą...
Spaliły się dzieci... Jak ludzie w krąg płaczą...

To w szyby deszcz dzwoni, deszcz dzwoni jesienny
I pluszcze jednaki, miarowy, niezmienny,
Dżdżu krople padają i tłuką w me okno...
Jęk szklany... płacz szklany... a szyby w mgle mokną
I światła szarego blask sączy się senny...
O szyby deszcz dzwoni, deszcz dzwoni jesienny...

Przez ogród mój szatan szedł smutny śmiertelnie
I zmienił go w straszną, okropną pustelnię...
Z ponurym, na piersi zwieszonym szedł czołem
I kwiaty kwitnące przysypał popiołem,
Trawniki zarzucił bryłami kamienia
I posiał szał trwogi i śmierć przerażenia...
Aż strwożon swym dziełem, brzemieniem ołowiu
Położył się na tym kamiennym pustkowiu,
By w piersi łkające przytłumić rozpacze
I smutków potwornych płomienne łzy płacze...

To w szyby deszcz dzwoni, deszcz dzwoni jesienny
I pluszcze jednaki, miarowy, niezmienny,
Dżdżu krople padają i tłuką w me okno...
Jęk szklany... płacz szklany... a szyby w mgle mokną
I światła szarego blask sączy się senny...
O szyby deszcz dzwoni, deszcz dzwoni jesienny...

On windows the raindrops, the raindrops are knocking
Rhythmically, constantly, not ever stopping,
The autumn rain falling and tapping on pane…
Glass weeping… glass crying… the signs of the rain
And light, oh so gray, the colours is blocking…
On windows the raindrops, the raindrops are knocking…

The dreams, ghosts of evening ethereal and floating
The sun which could save them in vain they’ve been wanting…
Ahead they are marching through gray, foggy desert,
Ahead only unknown, ahead is their present…

_________________________

You can listen to the poem here:  https://www.youtube.com/watch?v=r6mrWlfppbM

Autumn Rain

by Leopold Staff

Autumn rain keeps ringing and ringing out loud
Beating against windows, so steady its sound!
Raindrops keep on falling and hitting the sill
Glass moaning... glass crying... rain keeps falling still
Gray sunlight keeps dreamily seeping through the clouds
Autumn rain keeps ringing and ringing out loud

Evening dreams, so beautiful but flighty and faint
Eagerly awaited the sun that never came
Until finally they faded away into night
Into darkness eternal, untouched by light
Wearing nothing but rags of their mourning clothes
A quiet place for their own graves they sought
On their faces, grief and sorrow left their mark
In a long line they moved on into dark
To forever wander with tears in their eyes
Haunted by their sadness, no recourse in sight

It's the autumn rain ringing and ringing out loud
Beating against windows, so steady its sound!
Raindrops keep on falling and hitting the sill
Glass moaning... glass crying... rain keeps falling still
Gray sunlight keeps dreamily seeping through the clouds
Autumn rain keeps ringing and ringing out loud
Someone left me on this cloudy, rainy autumn day
Who? I know not... I know I'm alone and in pain
Someone died... who? I rake my memory in vain
Someone close to me... from some funeral I came
Ah ... the coming joy was frightened away by the dark
Someone wanted to love me but I broke their heart
When they found that they couldn't sustain the flame
A beggar died, awaiting help that never came
In a village somewhere, a house burned to the ground
Children died in the fire... people gathered around
And wept bitter tears

It's the autumn rain ringing and ringing out loud
Beating against windows, so steady its sound!
Raindrops keep on falling and hitting the sill
Glass moaning... glass crying... rain keeps falling still
Gray sunlight keeps dreamily seeping through the clouds
Autumn rain keeps ringing and ringing out loud

Satan, his grief deadly, to my garden came
And turned it into ruins, blackened by the flames
His head lowered, brow furrowed, he spread out gloom
Under ashes he buried the flowers in bloom
Heavy stones he scattered, grass he set ablaze
He spread fright and despair and fury and rage
Until at last, frightened by what he had done
He laid down awaiting relief that would not come
His grief weighing him down, he shed tears of flame

It's the autumn rain ringing and ringing out loud
Beating against window, so steady its sound!
Raindrops keep on falling and hitting the sill
Glass moaning... glass crying... rain keeps falling still
Gray sunlight keeps dreamily seeping through the clouds

Autumn rain keeps ringing and ringing out loud


Big Tujunga Wash with Chemtrails


The recitation of Deszcz Jesienny by Staff is illustrated by the most famous piece of "rain" music in the classical canon: Fryderyk Chopin's Prelude in D-flat Major, Op. 28, No. 15.  Several contemporary poets wrote about this work for the anthology I edited in 2010, Chopin with Cherries: A Tribute in Verse (Moonrise Press, 2010).

To accompany the readers on their Chopin-inspired journey, here are some links to various pianists' interpretations of the Prelude:


Prelude in Majorca

Christine Klocek-Lim

The wet day carried rain into night
as he composed alone.
With each note he wept
and music fell on the monastery,
each note a cry for breath
his lungs could barely hold.
Even as his world
dissolved around him
“into a terrible dejection,”
he played that old piano in Valldemosa
until tuberculosis didn’t matter;
until the interminable night
became more than a rainstorm,
more than one man sitting alone
at a piano, waiting
“in a kind of quiet desperation”
for his lover to come home
from Palma.

When Aurore finally returned
“in absolute dark”
she said his “wonderful Prelude,”
resounded on the tiles of the Charterhouse
like “tears falling upon his heart.”
Perhaps she is right.
Or perhaps Chopin “denied
having heard” the raindrops.
Perhaps in the alone
of that torrential night
he created his music simply
to hold himself inside life
for just one note longer.

Notes:

Prelude No.15 in D-flat Major, Op. 28. 

Quotes from Histoire de Ma Vie (History of My Life, vol. 4) by George Sand (Aurore, Baronne Dudevant).

(c) 2010 by Christine Klocek-Lim, published in Chopin with Cherries (Moonrise Press, 2010).




Chopin’s “Raindrop”

Cheryl M. Thatt

A steady rain
drop
drips down
insistent as the minutes
he looks out the window
cannot escape it.

He translates rain
drop
damp spirit
travels inward
passionate
notes whittle away the dreary
steady rain
drop
a clock
in the distance punctuates the gray day
wrestling with his own dark language
his soft fingers caress the keys to sanity
slowly he shapes adversary into ally…
pounds out melancholy
drop
by precious damn drop…

A steady rain
drop
dripped down
like the click of a shutter
slippery hours
captured forever.                                                                  


(c) 2010 by Cheryl M. Thatt, published in Chopin with Cherries (Moonrise Press, 2010).




Prelude in D-Flat Major, Opus 28, No. 15

by Carrie A. Purcell

You have to
my teacher said
think of that note like rain,
steady, but who,
my teacher said
wants to hear only that?

On Majorca in a monastery
incessant coughing
covered by incessant composition
and everywhere dripping

sotto voce
move the rain lower
let it fill the space left in your lungs
let it triumph

We die so often
we don’t call it dying anymore

(c) 2010 by Carrie A. Purcell, published in Chopin with Cherries (Moonrise Press, 2010).



_______________________________________

But we do not have the rain, the raindrops, the thick, low clouds in California. Not often. Not for long. The last solid rain season of El Nino was in 1998. Since then, our skies are more often than not crisscrossed by the white stripes of chemtrails, left by high-flying airplanes with tanks full of chemicals that nobody wants to list or describe... We live under a chemical sky, our white stripy clouds are a geometric design of insane architects who are meddling with what they do not understand.  No rain under white-striped skies...


chemical weather –
we forget what we want to be
under whitened sky

(c) 2015 by Maja Trochimczyk


their air is for sale
their water rights sold –
last breath of freedom

(C) 2015 by Maja Trochimczyk


Oblivion

The clouds become milky, the sun death-white, like bleached bones on the chalky shore. Planes after planes fly high up, leaving patterns of crisscrossing chemtrails in the sky. The strange lines of clouds puff up and spread like cancer in the air. He takes out his camera, takes another series of snapshots for the series of Graffiti in the Sky. At home, he looks through his inbox, Los Angeles Sky Watch is meeting again. Same old, same old: aluminum, barium, strontium compounds, nano-particles stopping the rain, causing the blizzard, transforming California fields back into deserts. Only six thousands signed the Stop Geo-engineering petition he wrote. Only two hundred came to the demonstration he spent months planning. He thinks of ancient prophets, unheard voices calling in the urban wasteland.

           like frogs in boiling water
           they do not notice poison 
           raining on their heads

(C) 2015 by Maja Trochimczyk


And where is the rain?

________________________

To see more photos of strange chemtrail patterns in California  skies compared with clear blue skies, or regular cumulus or rainclouds, visit my "Graffiti in the Sky" albums on Picasa Web Albums: Part I from 2014 to March 2015; Part II from April to October 2015.


No matter how bad the weather is, we can still triumph internally, by keeping a spiritual balance. How do you do it? Like this:


The Great God Experiment

Or

How to Find the Meaning of Life and Universe
And All their Sultry Secrets in Ten Easy Steps


Ask a friend to sit facing you,
closely, but do not touch.
Remember Mary of Magdala:
“Noli me tangere”
said the gardener and she saw God.
Close your eyes. Clear your mind
of every worry, every thought but
“I am here, I am, I love.”
Open your eyes. Look.
A flash, a lightning will pass
between you two. Time will stop.
The world will disappear.
You will see what the blind saw
after His hands touched their eyelids.
The unnamable.
The One who is, who will be.

Don’t talk.
Love.
Be thankful.

Ask a new friend.


                                                                             © 2007 Maja Trochimczyk 

Published in Meditations on Divine Names (2012)


Friday, September 25, 2015

Give It All Away... Love and Light Poetry Workshop with Jessica and Juan

You give it away and it magically grows back so you have more of it . . . What is it? Not money, because it does not grow on trees. . . and not any physical possessions . . . For Jack Weber it is love, and he came up with 15 reasons to prove it: http://wakeup-world.com/2015/09/10/15-reasons-to-give-your-love-away-today/.  On September 23, 2015 I read this essay divided into three voices, with Jessica Wilson and Juan Cardenas, as a part of a Poetry Workshop "Give It All Away..." This paradoxical recipe works very well, if applied with sincerity, so, the advice to our listeners, residents at Phoenix House Venice, was to go, "have at it..."
Maja Trochimczyk, Juan Cardenas, Jessica Wilson, Akilah Templeton

Though called "Poetry Workshop" and filled with poems, our event was actually not very poetic, not in the sense of learning the craft of writing poetry. . . Our focus was content. September is the National Recovery Month and we decided to celebrate it by sharing words of wisdom, inspiration, and positive thinking. Words of truth, love and light.  Before the reading started, I went around the room to shake hands with everyone in the audience. It is a very important gesture of connection and affirmation. While shaking hands you have to look the person straight into their eyes. This is where you meet and know each other. this is the connection of love.


Jessica M. Wilson, the President of the Los Angeles Poet Society, accompanied by her husband, flutist and poet Juan Cardenas, led the way with poems from her new book, Serious Longing, published this year by Editions du Cygne in Paris. Surrounded by soft tones of the flute, she continued the reading with an inspiring poem printed in the program:

EpiTantriChord            

I am a Poet of the
Cosmic chord -- I say, “luz”,
Maja calls it, “love”.

Perception and digital signals, dials us up
one by one.
We are here; empty.

Come and fill us up,
just don’t feel us up; we’re tired
of being used,
tired of being consumed.
Trash bag over our young and we don’t even want to look
to see its face. An atrocity.

A lone 93-year-old man who’s loved so,
as to sacrifice decades of his life for a cause of millions...
and here he makes breath
for only few to ever see.
Broken chord.
Chain-link to every human’s ghost.
A known unknowing of our eternity.




JESSICA M. WILSON is Navajo Indian Poet from East Los Angeles, CA. She has an MFA in Writing from Otis College of Art and Design and a BA in Creative Writing and Art History from University of California, Riverside. She began the Los Angeles Poet Society as an answer to bring the LA literary 'scene' into light - so there would be transparency between Poets and Poetry Venues, Publishers, Musicians and Artists and all creatives. To bring the community together, she is Founder and Host of the Literary Series: Writers' Row, Writer Wednesday, SoapBox Poets Open Mic, and the Salon @ NoHo. Jessica is a Poet Teacher with California Poets in the Schools, and believes in the power of the word! She is also a member of the 100 Thousand Poets for Change and the Revolutionary Poets Brigade in Los Angeles.

Her final poem was a call to action, inspiring her listeners to acknowledge and speak their personal truth: 

Power

I can imagine the earth in a field of words.
I make new ethics; blow them into the winds to meet the people.

I can influence the direction of the sparkling tide
by tapping my finger
on its surface.

In an exhale of sighs, I can signal traffic
to travel another way.
Flashing bulbs
of green and yellow merge from my palms.
They taste like nectarine
and nourish us.

I can blow the dust of glass
into new cities of neon lights
and dark clouds.

I am able to resist because someone has to.
If you question nothing,
why have a mind to think?

I can do something because I really never liked
waiting around
for a show to start.
I am the show.
We are the actors on this world-set of made up dreams,
fantasy nodes, truths we shear from the trees and towers.

We are the truth.
Let us show it always.
Let us be truth.

Jessica M. Wilson


JUAN CARDENAS, who was ten when he came to the U.S. from Mexico,  is a flutist, vocalist, poet, activist, and educator to the bilingual community, specializing in teaching poetry and music to the youth. He is a Poet Teacher with California Poets in the Schools, working with native Spanish speakers and youth of diverse cultural backgrounds. Juan is also part of the 100 Thousand Poets and Musicians for Change, and the Revolutionary Poets Brigade - Los Angeles. This is what he says about the tole of creativity in his life:

"Literature and creative expression were the gateway to discovering who I was, it made the everyday living simpler to understand, and school a lot easier to handle; not to mention motivating. I am able to see how poetry impacted my life at a young age in a positive way. I am now aware of the different directions my life could have gone as I see today’s youth. As an immigrant growing in a Latino community, I first-handedly felt  the lack of literary outlets in the community. Unfortunately, I still feel its presence in North Hollywood. I would like to be the bridge to the community to literal creative arts."


After the presentations by Jessica and Juan it was my turn. First, I led my listeners in a five-minute Meditation on Light that I created, based on a variety of inspirations. Then, I read three poems with love as the theme, my favorite subject.



© 2015 by Maja Trochimczyk, Ph.D


I followed the meditation with an ancient Druidic Blessing of Light from Ireland, that I used for my Christmas Wishes this year. Indeed, this is the Year of Light!

May the blessing of light be on you 

Light without and light within.

May the blessed sunlight shine on you

And warm your heart till it glows like a great peat fire.




Meditation on Light


Close your eyes. Take a deep breath. Relax. Imagine a bright, golden-white light right above your head, a miniature sun, or a star. Its golden rays shine all around, through you. You are surrounded, enveloped, protected by light. You are safe.


Now, the light shines inside you; its rays penetrate your whole body. All shadows disappear. There is no regret, fear, anger, sorrow. There is no guilt, no shame. Only light. The rays are everywhere, light is everything.


Now, the bright star descends into you; invite the light to enter and fill you. It shines in your brain, inside your head. You see it in your mind's eye. Light particles scatter and flow in waves. You are all light. All thoughts are pure light. There is no darkness. Only light, only peace. 


Now, the light star comes further down and settles in your heart. You have a small sun shining in the middle of your chest. It stays there. The pulsating sun-heart is moving the golden white, dazzling light into all the parts of your body. Your blood and veins are full of light.  Its warm glow spreads all over.


The streams of light flow through all your organs, muscles, skin. The light rays purify, heal, and cleanse. They flow to the tips of the fingers, the tips of the toes, eyes, ears, mouth, nose... the top of your head and the soles of your feet, all over your body. The light is energizing. It is good. All good. You are thankful, full of joy. You feel calm, peaceful, serene. 

You rest in the golden glow of the light. You say YES to the light, YES to the life this light brings. Here you are, a bright, living, pulsating star, made of stardust and starlight. 

Here… Now… In this moment…. Next… You are light. You are peace. You are love.

Still.... silent ... serene... Breathe deeply. Breathe in, breathe out... Breathe in, breathe out... 

You rest in the tranquil rhythm of your heart – a bright, pulsating golden sun.

The sun of gratitude, the star of joy, the light of love. 


(c) 2015 by Maja Trochimczyk (revised in 2016 and reposted on this blog; published in Into Light)


We can find light and love in many places. In our hearts, in the hearts of our family and friends, in the arts.  The story of Leonardo's Lady with an Ermine is fascinating, an enchantment that survived through the ages.  It is a miraculous painting that appears to look at you, as if it were alive.

Leonardo's Lady with an Ermine, Poland's Chartoryski Museum

The Lady with an Ermine

~ after Leonardo da Vinci's portrait of Cecilia Gallerani, in the Czartoryski Museum in Krakow

Her eyes follow me around the room
with that secretive smile she shares
with her famous cousin.
Filled with the knowledge of what was, what will be
she slowly caresses the smooth warm ermine fur.

"Tesoro, amore mio, sii tranquillo, ti amo"

Leonardo’s brush made a space for her to inhabit,
a grey-blue sky painted black much later –
she was pregnant, her son – a Sforza bastard,
the white ermine - the emblem of her Duke.

Sheltered by Polish royalty, she revealed
her charms only to their closest confidantes.
In 1830, exiled in a precious wood box, to Paris,
In 1919, returned to taste the Polish freedom.

"Amore mio, sii tranquillo, ti amo"

In 1939, hidden again, found by the Nazis
for Hitler’s last dream, the Linz Führermuseum,
Art among red flags and swastikas, flourishing
in the dark cavern of his mind. Never built.

Berlin, occupied Krakow, Governor Frank's
hunting lodge, Bavaria. The Red Army's closing in.
The train tracks. Crisp winter air. American soldiers,
The cameras of Monument Men.

"Sii tranquillo, ti amo"

Back home in Krakow, she is safe
in the recess of a museum wall. Under a muted spotlight,
Children play a game:Walk briskly from right to left,
don’t let your eyes leave her eyes, see how she is watching you.

Her eyes follow me around the room
Filled with the knowledge of what was, what will be
she slowly caresses the smooth warm ermine fur.
She knows that I know that she knows.

"Amore mio, ti amo"


_________________

* Tesoro, amore mio, sii tranquillo, ti amo" - fragment of a love letter in Italian, "Sweetheart, my love, be  quiet, I love you"

(C) 2015 by Maja Trochimczyk

http://www.maryevans.com/poetryblog.php?post_id=7032

In the second poem, the entire house has joined me, fifty voices repeating every line after I said it. I actually asked the listeners just to repeat the words in caps, or so I thought. But they had the text in the program and started from the beginning, one phrase after another. Why not? It turned out fantastic! The poem became very dynamic and energized. It came alive. I'm always going to read this poem in this way.

The poem is built around the kernel of basic daily meditations based on four phrases: I'm sorry, Please forgive me. Thank you and I love you.  I recently encountered these phrases on the Stillness in the Storm blog where I find poetic inspiration. The radio host Ted Mahr of Out of This World Radio, recounted a story of the poisoned water of Fukushima. Human-made radiation after the nuclear disaster is spreading around the globe, poisoning all living beings in the Pacific Ocean. Poisoning the waters, the source of life is a terrible thing that we did and now have to fix it.

According to Dr. Masaru Emoto, the creator of the Emoto Peace Project in Tokyo, Japan, we should pray and send our thoughts to the ocean's waters to heal them. At the shore of the ocean, we should gather daily, in a group, and say the following prayer, three times in a row:

Prayer to Fukushima Waters 

Water, we are sorry
Water, please forgive us
Water, we thank you
Water, we love you

I took these basic phrases that can also be found in the most Catholic of rituals, the Mass, starting from "sorry" Confession at the entrance, asking for forgiveness in Kyrie Eleison - Christe eleison and leading to the rite of Thanksgiving in the Eucharist, and the sharing of peace with everyone in Communion, eating the bread of light and love...  So here, my version:

Repeat After Me

Yes, you can find it. /Your way out./
It is so simple. /First you say:/

I AM SORRY – I’m sorry too./
We are the guilty ones,/ we are all at fault!
What happens next? /The door opens./
We stop at the threshold and say:/

PLEASE FORGIVE ME, I FORGIVE YOU./
Forgiveness erases all your guilt,/
all my fears, all our sorrows /– the burden
of dead thoughts is lifted./ See?/
We float up into brightness./ We are
sparks of starlight, /a constellation
dancing in the sky/ as we say:/

THANK YOU,/ THANK YOU VERY MUCH./
Filled with gratitude for every cloud,/
leaf and petal, /every breath we take,/
every heartbeat, /we are ready, at last,/
to say what’s the most important:/

I LOVE YOU, MY LOVE./
I give you all the love/
of my tired, aching heart./

I LOVE YOU, MY LOVE.
I give you all the love/
of my grateful, tranquil heart./

(c) 2015 by Maja Trochimczyk

Inspired by the success of the group performance of this poem, that turned truly uplifting and inspirational, I then turned to my favorite "group reading" poem - that is written on the page in color font, divided into four voices, intertwining into the fabric of one call to action: "Break the veil, undo the knots, free the mind... to see the blessings of infinity, to hear the music of sing-song lullabies, calming us ... for awakening in grace... when the Veil and the Weave are gone."  

This religious poem, entitled The Veil, the Weave, was inspired in equal measure by a quote from prophet Isaiah (its content) and the revolutionary poetry of Vladimir Mayakovsky (its form). It was first posted on this blog for Black History Month in 2014  and was copied in my previous post this September 2015. It was recently read by four poets at the Rapp Saloon in Santa Monica (hosted by Elena Secota). I was joined by the voices of the wonderful Susan Rogers, Ambika Talwar, and Melissa Studdard.



Maja Trochimczyk, Susan Rogers, Ambika Talwar and Melissa Studdard at the Rapp Saloon. 

I previously read it at various events of the Spiritual Quartet, a group of four female poets (Lois P. Jones, Susan Rogers, Ambika Talwar, and myself) of diverse religious and spiritual traditions, Judaism, Catholicism, Sukyo Mahikari, Scientology, Eastern mysticism... We presented our poetry at readings in Southern California, including one in March 2011 at the Bolton Hall Museum in Tujunga (a Village Poets Reading).  Unfortunately, I read this poem by myself then, not having yet come up with this inspired idea of converting the poem into a chorus of voices and a call to community action...

Maja Trochimczyk with Lois P. Jones and Ambika Talwar (L) and with Susan Rogers (R).

But there is always the next time, and now, we have poems that can be woven into a network of luminous voices. Why? 

To quote Ambika Talwar, "because poetry is a bridge to new worlds... So you can live beauty of your deepest awakening passion and be fulfilled!"