Harvesting Pomegranates and Poetry in October

fall hues turn red

pomegranate juice on my fingers - 

I taste the seeds

October is the month of the harvest. Octoberfest in Bavaria. Thanksgiving in Canada. Pomegranates in my one-tree orchard. What does my crop of poetry publications and readings look like?  Exciting and refreshing like the pomegranates off my tree.

LA POETRY HOSTS AT NOHO LIT CRAWL - OCTOBER 22

I must say I love being invited to do things with friends. I also love being invited to do things with new friends. Jessica Wilson included my name in a small group of Los Angeles Poetry Hosts who will be featured together this Wednesday during the NoHo Lit Crawl event at 9 p.m. Live music -drums and flute by Juan Cardenas, and round robin poetry by the guests of Jessica, a dynamo of energy and poetic talent.

Since I could not quite figure out where I'm supposed to be and how to find my way Jessica made us a map with red arrows that make the location  really, really obvious. Come if you have a taste for some poetry on Wednesday night, come if you don't. You never know what you'll find.

WOMAN IN METAPHOR  AT BEYOND BAROQUE - OCTOBER 25 

I'm really honored to have been selected to join an elite group of poets, inspired by the mysterious, mystifying and mystic art of Stephen Linsteadt. My poem came from a fascination with his portrait of a ballet dancer, reflected in a series of mirrors. I melded the Myth of Orpheus losing his Euridice with a Balinese myth of a fish that was a dancing tree... in an altogether surreal set of images... Dance, Euridice, dance. Pas de poisson!

The event's description: "Twenty-seven poets from around the world share their vision of the feminine spirit, inspired by the paintings of Stephen Linsteadt. Editor, Maria Elena B. Mahler, collected twenty-seven poems from twenty-seven accomplished, published, and award winning poets from different parts of the world. She invited them to write a poem based on one of Stephen Linsteadt's paintings; paintings he created over the last thirty-five years. Live music by Adey Bell."

At Beyond Baroque: Saturday, October 25, 2014 at 8 p.m. Regular Admission. 
681 Venice Blvd, Venice, California 90291

GUTTERS & ALLEYWAYS ANTHOLOGY READINGS IN OCT & NOV

I'm very happy to have a poem included in an amazing anthology, Gutters and Alleyways: Perspectives on Poverty and Struggle, published by Lucid Moose Lit Press this fall. There are many readings scheduled in Southern California, as discussed below.  Due to other deadlines I missed the big launch described below, but I hope to make it to at least one reading later - most likely to the November 11 reading in Echo Park. 

The Gutters & Alleyways Anthology and Lucid Moose Lit Press launch was a wonderful success. Thank you to all of you who come out in support of this project release. We’d love to meet even more of you at upcoming readings and events. A few ways to keep up with the latest Lucid Moose news is through the website, LucidMooseLit.com, and through the Facebook page,facebook.com/lucidmooselit. There you will find photos from the big launch event, the latest information about readings, and new submission calls such as our very next anthology, Like a Girl: Perspectives on Feminine Identity and Development. We hope you will consider sending us a new batch of work for this and future projects.

 

For contributors outside of the southern California area, we will be mailing out contributor copies over the next week. For those able to come to an upcoming event, we will give you your copy in person. Here is a list of upcoming readings where you may also sign up to read in an open reading list (email us if you can 100% commit to reading at one of these events and we can possibly add your name to the “mini feature” list):

October 24th 6:30-9 pm at Half Off Books in Whittier (joint Cadence Collective reading)

October 29th 8-10 pm at the Ugly Mug in Orange

November 11th 6:30 pm at Stories in Echo Park

December 8th 7 pm at Gatsby Books in Long Beach

 

Other opportunities to pick up your copy (Please email or message if you can stop by one of these locations on these dates):

November 10th at 7 pm  Gatsby Books in Long Beach

November 18th at Rebel Bite in Long Beach

 

If you’d like to buy additional copies online, the most direct way is through www.createspace.com/4971670. Copies will also be available at local independent bookstores: Gatsby Books in Long Beach, Read On Till Morning in San Pedro, and Half Off Books in Whittier. If you are interested in bulk copies, please email us about price discounts.

 

QUILL AND PARCHMENT - VOL. 160, OCTOBER 2014

The October issue of the Quill and Parchment monthly poetry magazine, edited by Sharmagne Leland St. John is a virtual cornucopia of inspiration.  There is a notice about my book, Slicing the Bread, with the title poem and various statements by other poets.

TITLE PAGE: http://www.quillandparchment.com/archives/Oct2014/vol160.html

MY BOOK PAGE: http://www.quillandparchment.com/archives/Oct2014/new.html

SLICING THE BREAD PUBLICATION - DELAYED TO NOVEMBER 

https://finishinglinepress.com/product_info.php?products_id=2149

All those who had pre-ordered copies of my "Slicing the Bread" chapbook from Finishing Line Press that is supposed to be published on October 25, 2014 will have to wait a little bit longer. I did not get my page proofs yet, so please be patient.  In the meantime, several poems made it to various venues, so they can be found and enjoyed in these locations. You also can read about the book on the various blogs and websites.

The book is starting to get noticed on blogs and in papers, and thanks to Andrena Zawinski, four poems can be read in the Poetry Magazine this fall:

Andrena Zawinski's Featured Poets in Poetry Magazine, Vol. 13 no. 3. www.poetrymagazine.com

John Guzlowski posted about it on his Writing the Polish Diaspora blog:
http://writingpolishdiaspora.blogspot.com/2014/07/slicing-bread-by-maja-trochimczyk.html

Rae wrote about it on her blog: Books for Mom: 
http://booksformom.blogspot.com/2014/10/monday-morning-poetry-slicing-bread.html

Forum Polonia Houston reprinted the notice with links to order copies: Slicing the Bread in Houston

The New Book Journal noticed and reprinted the press release: Slicing the Bread on New Book Journal

Then its editor, Ray K. Alan posted it on Pinterest:  Slicing the Bread Pinned to Interests

Don Kingfisher Campbell put one poem, "The Way to School" in his San Gabriel Valley Poetry Quarterly, Fall 2014. I did not attend the reading, so my poem is not posted on the blog.

And, if you have not seen the previous post about the book on this blog, with all the advanced praise by wonderful poets,  here's the link from Poetry Laurels from July 2014:
 http://poetrylaurels.blogspot.com/2014/07/finishing-line-press-to-publish-slicing.html

And, for all those who read all the way to the end, here's the poetic reward, one poem from the Poetry Magazine set:

THE SPOON

It was made of rough metal, thick and light.

Its grey, unpolished surface looked like
no other spoon she ever saw.

Grandma said: Ah, yes, that spoon 
was made of a plane shot down 
near the Mieleszki forest.
People gathered metal scraps to melt 
into spoons. We used to carve ours
from birch-wood.  Aluminum was better.

What about the pilot? What happened to him? 
Children never stop asking questions. 

Grandma shrugs.  We found his parachute,
cut the silk into squares to filter milk,
make cheese. But the pilot?

I heard the Germans took him, 
came back for the plane. 

We did not get much,
 just some cheesecloth
and this one spoon.

(C) 2014 by Maja Trochimczyk

What are We Thankful for? Autumn Leaves, Whitman, Harvest, Memory...

I have not felt particularly poetic during the last month and my poetry-writing shrank to nothing, my photography also disappeared from the horizon, after the November 9 opening of the  exhibition "Positively Local" at the Modest Fly Gallery in Tujunga, where I had just one photograph on display - of a golden leaf.  

Thankgiving Tanka

 1.

 half-split blood orange 

 rests on wet apricot leaves

 and blue fescue –

 my fall garden waits

 for the sun’s gold smile

     2.

     stacks of books

     in every corner –

     wrapped in a blanket

     of words

     I cherish my cosmos

          3.

          rich flavors of pumpkin spices

          almonds and nutmeg

          fill the kitchen –

          affection

          warms my heart

(c) 2013 by Maja Trochimczyk

The turning of leaves in the fall is very high on my list of things I'm most thankful for.  In golden, intense California light after the rain the leaves are more beautiful than ever. Sublime and with such intricate, gorgeous detail... but I lost my iPhone, broke my camera, so now I can only look and remember. 

Through October  I worked on my music history project, "Jewish Composers of Polish Music in 1943" -  a paper invited for the international conference entitled "The Musical Worlds of Polish Jews 1920 1960" and held at the Arizona State University.  It was an amazing gathering of minds, with a keynote address by Prof. Antony Polonsky of Brandeis University, live music by the ART Ensemble of the Royal Conservatory of Music in Toronto, and many fascinating lectures by scholars from Poland, U.K., Australia, Canada and the U.S.  

In my project this time I decided to count the names, this time: from 173 composers listed in 1939, 101 were still alive abroad (most of them have emigrated before the war) and 12 in Poland. Looking through the outlines of the composers' lives - destroyed and twisted by absolute evil, tossed around the world by winds of history... It is not an easy topic. We want to hear about the winners, the survivors, the heroes: we do not want this senseless, absurd, pointless death. I was not even born then, so what I can do? The only thing - remember: Koffler and Gold who died, Tansman, Palester, Kassern, Laks who survived... And be thankful for their gift of music.

Here is a suite in Polish style by Alexandre Tansman for solo guitar: 


http://www.youtube.com/watch?v=sPeXLnwo60w&list=PL4C4FC8D97710A03F


And here's Artur Gold's perennially popular tango "Jesienne Roze" from a historical 1932 recording by Adam Aston  - also a Jewish-Polish musician, who survived with the Anders' Army that gathered the refugees and exiles, including war orphans and those released from Soviet camps and left via Iran and Palestine to fight in Africa and Italy. Aston lived, Gold died in Treblinka in 1942 or 1943, after conducting the death camp orchestra and composing the Treblinka Song.

http://www.youtube.com/watch?v=X_sBkaKIcRE



A popular version, recorded by Irena Santor in the 1960s:

http://www.youtube.com/watch?v=w_a1x-v8zgI




American Thanksgiving is a strange holiday about eating turkeys with sweet yams and cranberry sauce, topped off by pumpkin pie, with whipped cream. If you put marshmallows onto yams, you'll be drowning in sugar... white death in installments... The encounters of Indians and Pilgrims in the New World that we are remembering in this holiday, were far from idyllic sharing of the harvest and ended with a wholesale cultural genocide of the First Nations replaced by Anglo-Saxon invaders, followed by hungry waves of immigrants from impoverished areas of Europe, Asia, Africa... There's blood and death in all this sugar.

So, here's a sweet poem about  thanksgiving and blood: 

The Day of Peaches

Maja Trochimczyk


In England, I'd get a ticket for that bite
into the succulent flesh
of O'Henry peach - eating while driving

The peach shines butter yellow to orchid orange, 
blood red -  a blazing rainbow dissipates
into tart sweetness on my tongue

Who picked it? One of the young marines
with shaved heads that ran through the orchard
before being shipped off to war?

The man at the fruit stand said
he managed a machine shop for the marines
and ran five miles with them each morning

He silently packs my peaches, one for the road
I have a bite - warm juice spills on my chin
I think of the Great War, other wars

The marines' blood spilling on cold sand
of the beach, staining the sidewalk - 
I sigh in Thanksgiving 

(C) 2013 by Maja Trochimczyk

_____________________________

The fall harvest celebration has ancient, agrarian roots and its variants may be found in different cultures around the world. In pre-Slavic Poland we had - later Christianized - "Dozynki" (The Gleaning or Last Harvest), at the end of the summer harvest, in late August or early September.  The harvesting in the fields started about a month earlier, with the offering the first cut of rye, wheat, or barley to the pagan deities of the fields. Long stems were cut by hand with a sickle and woven into a doll, securely placed on a high fence, overlooking the fields for good luck and the blessings of sunny weather, without summer storms. An offering of water, milk or wine was spilled on the ground in front of the doll, before the start of the harvest. The doll was taken back home after the completion of the harvest... but I do not remember what happened to it later. I remember seeing it up on the fence and being sternly admonished not to touch it by my officially Eastern Orthodox, and actually ancient Pagan grandmother who made it, still faithful to an ancient pagan custom in the 1960s...

In feudal times, the harvest festival ended with bringing in the gifts to the manor, and with a feast for everyone, celebrating the successful gathering of grain to feed the village and the nobility through the next year.   A beautiful depiction of this festival starts Tchaikovsky's opera Eugene Oniegin. 



Dozynki is now an official state holiday both in Poland and in Czech Republic, returning to their ancient roots, and making sure we do not forget about our reliance on agriculture and working together with nature to nourish us in a sustainable, healthy way...

Alfred Wierusz-Kowalski -Dozynki (1910)

Instead of writing my own poem for Dozynki, let me share an American classic:


A Carol of Harvest for 1867 

by Walt Whitman 

(published in 1867, reprinted in the 1872 edition 
of Leaves of Grass as “The Return of the Heroes”)

1 A song of the grass and fields! A song of the soil, and the good green grass! A song no more of the city streets; A song of the soil of the fields. A song with the smell of sun-dried hay, where the nimble pitchers handle the pitch-fork; A song tasting of new wheat, and of fresh-husk’d maize. 2 For the lands, and for these passionate days, and for myself, Now I awhile return to thee, O soil of Autumn fields, Reclining on thy breast, giving myself to thee, Answering the pulses of thy sane and equable heart, Tuning a verse for thee. O Earth, that hast no voice, confide to me a voice! O harvest of my lands! O boundless Summer growths! O lavish, brown, parturient earth! O infinite, teeming womb! O theatre of time, and day, and night! A verse, to seek to see, to narrate thee. 3 For still upon this stage, I acted God’s calm, annual drama; Gorgeous processions, songs of birds, Sunrise, that fullest feeds and freshens most the soul, The heaving sea, the waves upon the shore, the musical, strong waves, The woods, the stalwart trees, the slender, tapering trees, The flowers, the grass, the lilliput, countless armies of the grass, The heat, the showers, the measureless pasturages, The scenery of the snows, the wind’s free orchestra, The stretching, light-hung roof of clouds, the clear cerulean, and the bulging, silvery fringes, The high dilating stars, the placid, beckoning stars, The shows of all the varied soils, and all the growths and products, The moving flocks and herds, the plains and emerald meadows, These for all ages’, races’ witnessing. 4 Fecund America! To-day, Thou art all over set in births and joys! Thou groan’st with riches! thy wealth clothes thee as with a swathing garment! Thou laughest loud with ache of great possessions! A myriad-twining life, like interlacing vines, binds all thy vast demesne! As some huge ship, freighted to water’s edge, thou ridest into port! As rain falls from the heaven, and vapors rise from the earth, so have the precious values fallen upon thee, and risen out of thee! Thou envy of the globe! thou miracle! Thou, bathed, choked, swimming in plenty! Thou lucky Mistress of the tranquil barns! Thou Prairie Dame that sittest in the middle, and lookest out upon thy world, and lookest East, and lookest West! Dispensatress, that by a word givest a thousand miles—that giv’st a million farms, and missest nothing! Thou All-Acceptress—thou Hospitable—(thou only art hospitable, as God is hospitable.) 5 When last I sang, sad was my voice; Sad were the shows around me, with deafening noises of hatred, and smoke of conflict; In the midst of the armies, the Heroes, I stood, Or pass’d with slow step through the wounded and dying. But now I sing not War, Nor the measur’d march of soldiers, nor the tents of camps, Nor the regiments hastily coming up, deploying in line of battle. No more the dead and wounded; No more the sad, unnatural shows of War. Ask’d room those flush’d immortal ranks? the first forth-stepping armies? Ask room, alas, the ghastly ranks—the armies dread that follow’d. 6 Pass—pass, ye proud brigades! So handsome, dress’d in blue—with your tramping, sinewy legs; With your shoulders young and strong—with your knapsacks and your muskets; (How elate I stood and watch’d you, where, starting off, you march’d!) Pass;—then rattle, drums, again! Scream, you steamers on the river, out of whistles loud and shrill, your salutes! For an army heaves in sight—O another gathering army! Swarming, trailing on the rear—O you dread, accruing army! O you regiments so piteous, with your mortal diarrhoea! with your fever! O my land’s maimed darlings! with the plenteous bloody bandage and the crutch! Lo! your pallid army follow’d! 7 But on these days of brightness, On the far-stretching beauteous landscape, the roads and lanes, the high-piled farm-wagons, and the fruits and barns, Shall the dead intrude? Yet the dead mar not—they also fit well in Nature; They fit very well in the landscape, under the trees and grass, And along the edge of the sky, in the horizon’s far margin. Nor do I forget you, departed; Nor in Winter or Summer, my lost ones; But most, in the open air, as now, when my soul is rapt and at peace—like pleasing phantoms, Your dear memories, rising, glide silently by me. 8 I saw the return of the Heroes; (Yet the heroes never surpass’d, shall never return; Them, that day, I saw not.) I saw the great corps, I saw them approaching, defiling by, with divisions, Each, at its head, in the midst of his staff, the General. I saw the processions of armies, Streaming northward, their work done, they paused awhile in clusters of mighty camps. No holiday soldiers!—youthful, yet veterans; Worn, swart, handsome, strong, of the stock of homestead and workshop, Harden’d of many a long campaign and sweaty march, Inured on many a hard-fought, bloody field. 9 A pause—the armies wait; A million flush’d, embattled conquerors wait; The world, too, waits—then, soft as breaking night, and sure as dawn, They melt—they disappear. Exult, indeed, O lands! victorious lands! Not there your victory, on those red, shuddering fields; But here and hence your victory. Melt, melt away, ye armies! disperse, ye blue-clad soldiers! Resolve ye back again—give up, for good, your deadly arms; Other the arms, the fields henceforth for you, or South or North, or East or West, With saner wars—sweet wars—life-giving wars. 10 Loud, O my throat, and clear, O soul! The season of thanks, and the voice of the carol of full-yielding; The chant of joy and power for boundless fertility. All till’d and untill’d fields expand before me; I see the true arenas of my race and land—or first, or last, Man’s innocent and strong arenas. I see the Heroes at other toils; I see, well-wielded in their hands, the better weapons. 11 I see where America, Mother of All, Well-pleased, with full-spanning eye, gazes forth, dwells long, And counts the varied gathering of the products. Busy the far, the sunlit panorama; The western fields appear, with endless, prodigal surface; (The steam-ploughs and horse-ploughs did their work well, and the rotary spader did its work well.) Lo! prairie, orchard, and the yellow grain of the North, Cotton and rice of the South, and Louisiana cane; Open, unseeded fallows, rich fields of clover and timothy, Kine and horses feeding, and droves of sheep and swine, And many a stately river flowing, and many a jocund brook, And healthy uplands with their herby-perfumed breezes, And the good green grass—that delicate miracle, the ever-recurring grass. 12 Toil on, Heroes! harvest the products! Not alone on those warlike fields, the Mother of All, With dilated form and lambent eyes, watch’d you. Toil on, Heroes! toil well! Handle the weapons well! The Mother of All—yet here, as ever, she watches you. 13 Well-pleased, America, thou beholdest, Over the fields of the West, those crawling monsters, The human-divine inventions, the labor-saving implements: Beholdest, moving in every direction, imbued as with life, the revolving hay-rakes, The steam-power reaping-machines, and the horse-power machines, The engines, thrashers of grain, and cleaners of grain, well separating the straw, The power-hoes for corn-fields—the nimble work of the patent pitch-fork; Beholdest the newer saw-mill, the cotton-gin, and the rice-cleanser. Beneath thy look, O Maternal, With these, and else, and with their own strong hands, the Heroes harvest. All gather, and all harvest; (Yet but for thee, O Powerful! not a scythe might swing, as now, in security; Not a maize-stalk dangle, as now, its silken tassels in peace.) 14 Under Thee only they harvest—even but a wisp of hay, under thy great face, only; Harvest the wheat of Ohio, Illinois, Wisconsin—every barbed spear, under thee; Harvest the maize of Missouri, Kentucky, Tennessee—each ear in its light-green sheath, Gather the hay to its myriad mows, in the odorous, tranquil barns, Oats to their bins—the white potato, the buckwheat of Michigan, to theirs; Gather the cotton in Mississippi or Alabama—dig and hoard the golden, the sweet potato of Georgia and the Carolinas, Clip the wool of California or Pennsylvania, Cut the flax in the Middle States, or hemp, or tobacco in the Borders, Pick the pea and the bean, or pull apples from the trees, or bunches of grapes from the vines, Or aught that ripens in all These States, or North or South, Under the beaming sun, and under Thee.