Showing posts with label bread. Show all posts
Showing posts with label bread. Show all posts

Monday, February 24, 2025

Poems about Dragon Fruit, Daily Bread, Enlightenment and Memories

 




DRAGON FRUIT AWARENESS

              —for Ian, after Amtrak ride from Arizona

Enlightenment is like the taste of dragon fruit—
refreshing, neither sweet nor sour.
It feels just right when you know if all—
the whys, the therefores. The “Is God evil
since there’s evil all around us?” And
“Where’s God?”—”Omnipresent”—
Spinoza said— “There’s nothing
that is not God.” Or, to put it bluntly,
“everything is divine.”

You say dragon fruit tastes boring,
it tastes like nothing. So does awareness,
neither sad nor happy. You know it all
and you know nothing—
except that the lifeforce of trees
is a million zillion times stronger
than the most powerful weapons
that humans make—except that
the nuclear power of children’s
laughter can break the hardened
rock of an indifferent heart—

except... I cannot fully explain it.
It cannot be put into words.
You just have to taste it yourself.
Here’s a slice of the dragon fruit,
an afterimage of stars in midnight sky.

Its taste? Just right—
neither sweet, nor sour.

(C) 2024 by Maja Trochimczyk, published in California Quarterly 50:2, Summer 2024

                       

I've had several theological discussions with my atheist youngest son, Ian, while my spiritual beliefs went through a complete transformation. Like him, I was an atheist in my youth, but I converted to Catholicism and was baptized as an adult, at 30 years old. Then, after years of emigration and trauma, and the death of my Mother who was a lapsed Catholic admiring Buddhism and talking to plants, I slowly drifted away from dogma, while keeping the cultural affiliation. I've reached a personal awareness about spirituality, cosmos, and my place on this earth that includes reincarnation, each incarnated episode - a new lesson in living well in the body, living well in the material world, and finding the immaterial values of love, gratitude, wisdom and compassion far more important than anything made of dense matter... Inspired by many others, I wrote my own prayers, designed my own meditations, and found footing on my own path - that still involves Catholic traditions and the acceptance of the Commandments as the immutable spiritual law for humans on this planet... Did you notice that Buddhists have the same moral principles as Christians and Jews? - Do not murder, do not steal, do not lie, honor your parents and do not be promiscuous, swayed by desire...

Back to poetry, then. I decided to publish some food-inspired poems after hearing Hilda Weiss read a beautiful poem with these enchanting lines about the evening sky: "...it darkens to blueberry, blackberry, sweet juice of the night..." What a lovely metaphor!  So I thought of publishing these poems together in one post... I also considered the ample pomegranate poems, but then these are for the fall not for the spring, so I'll share them at some other time. 

It is my unique task, in this life, to capture, describe and preserve experiences from my life, and from the complicated lives of my extended family in Poland.  If I do not write it all down, it will be all forgotten... 


ON THE BAKING OF RYE BREAD

I. 

For us, it is all about bread.
It is always about bread. The daily bread.
The sourdough Grandma made in a wooden bowl
baked in a wood-fired oven of dancing flames
and black-sooted pots on concentric metal rings
that could be moved to cover the flames of the stove.

I watched this magic with wide-open eyes
waiting for the bread, hidden far within the dark maws
of the oven until it came out.  Round loaves,
with thick crust around soft warm slices, 
slathered with home-made, melting butter -
add a glass of raw milk, cold from the kanka
chilled in the well overnight - and voila! 
A perfect breakfast, served with the clacking
of storks in the wagon-wheel nest on the pine-top.

The sourdough bowl, a heirloom from great, great, great
grandma, was never washed - a bit of dough left each time 
as starter for the next week's baking of the bread.


II. 

For us, it is all about bread. The rough rye bread 
with bran my Great Grandma baked for her son,
my Mom's uncle, a priest imprisoned in Dachau.
He sent instructions in censored letters with Hitler stamps - 
All is good, so good - each slice to be saturated with lard
in an ugly, sticky mess no thieves would touch.
When guards rifed through packages from home, 
cakes, wheat rolls and treats would disappear, but this? 

Dark bread of survival, fat and rye, kept him alive
through endless experiments on his lungs. 
Was it good luck? Was it bad luck? 
To live unable to breathe without coughing? 
For two decades after five years in hell?
I do not know, I do not read cursive German. 
My aunt showed me his letters last summer. 

Each family, each nation, has its memories of trauma and bliss.
Far in Asia, it is all about rice. Rice paddies, rice paper, 
steaming bowls of plain, unsalted, white rice... 
For us, it is all about bread, the daily bread. 

(c) 2025 by Maja Trochimczyk

This is a new poem based on my own and family memories. In the first part, I conflated the memories of watching my maternal Grandma Maria Wajszczuk mix dough for bread in her "untouchable" breadmaking wooden bowl, kept, with a bit of sourdough starter left in the bowl to continue baking, covered with a linen cloth, in a closed room that kids could not enter. There, jars of preserves were kept - "spizarka." The starter my Grandma used seemed to be as old as the bowl itself, passed on by generations of bread makers.  The bread, baked on Saturday, was to last for a week, two huge round loaves. Later, Grandma used that bowl for making yeast-dough for cakes, and bought bread in the store, so the ancient "starter" sourdough was lost. . . 

The second image, of the stove with iron rings to cover or uncover the flames, was from the home of my paternal Grandma, Nina Trochimczyk. It was my job to keep the temperature of the stove even when cooking strawberry confiture. I had first to start the fire with a sliver of resin-saturated pine wood, and small twigs plus paper, and then to add wooden logs one by one, making sure the fire is neither too large nor too small. Plenty of time for watching the flames! I also loved Grandma Nina's home-made butter and even tried to learn how to beat fresh cream into butter in her wooden box (round vase shape with a beater inside). It was too hard, I gave up after a minute or two. The freshly baked bread for breakfast. There is nothing better! But I hated the warm milk "fresh from the cow" that still smelled of the cow. I enjoyed it only after it was chilled overnight in the well - in a sealed metal container, lowered into water on a chain. Bread and butter with milk - you do not need anything else for breakfast! 

The second poem describes a discovery about family history I made during my 2023 travel to Poland. My Aunt, Barbara Miszta, nee Wajszczuk, my Mom's sister, showed me the family documents she kept, including a stack of over 20 letters from the Concentration Camp in Dachau, written in 1940-1945 by her uncle, my great uncle Feliks Wajszczuk, a Catholic priest first imprisoned in Auschwitz and then in Dachau, along with his cousin Karol, also a priest. 


Father Feliks Wajszczuk was the brother of my Grandpa Stanislaw, and wrote to his mom, my Great Grandma, who baked his bread, dipped each slice in molten lard, and send packages to Dachau. His cousin, Father Karol Leonard Wajszczuk (1887-1942), was imprisoned in Auschwitz, Sachsenhausen and martyred in Dachau. He was the son of Piotr, the brother of my great grandpa Franciszek Wajszczuk, the chairman of the Trzebieszow village. 


I previously mentioned this story of bread, the bread of survival in the title poem of the Rainy Bread collection, added to the volume's second edition, that I kept revising.  



After translating it into Polish and presenting it at a conference in Bialystok's Sybir Museum, I published in CSPS Poetry Letter no. 3 of 2024:



≡ THE RAINY BREAD ≡

~ for Grandma Nina and Grandma Maria, 
because they baked delicious bread

Even if it softened, it fell into the mud
you need to rinse the slice. When it dries out —
it can be eaten.

And this round, fragrant loaf,
which Grandma baked with sourdough?
One bread loaf for a week — it was the best
with cream and sugar crystals.

And this moist, whole-rye bread baked with honey? 
Delicious with butter and — more honey.
After each bite, take a sip of cold milk.
And the war bread, made from leftover, dirty flour?
Worms removed through a sieve. With bran,
sawdust — even a pebble can be found
among grains of sand. But, there it is.

Finally, the bread from the parcels sent 
to Father Feliks, Mom’s uncle in Dachau.
It’s so ugly — no one would steal it.
Whole rye flour, thick slices saturated with lard — 
Today we know: microelements and calories, 
A guarantee of surviving five years of torture.

Give us today our daily bread —
    the daily bread —
            the rainy bread —
                    the bread of life —
                                      bread


photo by Maja Trochimczyk







Sunday, February 8, 2015

A Calendar of Readings from "Slicing the Bread"

I am happy to report that the publication of my book "Slicing the Bread: A Children’s Survival Manual in 25 Poems" will be followed by a series of readings, starting from a sample of two poems read at the Rattle Reading Series, Flintridge Bookstore, in January 2015. This reading is posted on the website documenting poetry readings by local poets, Poetry LA (www.poetry.la): Maja Trochimczyk. The previous recording, of "Three Postcards from Paris" was done in 2011 at the Bolton Hall Museum in Tujunga.



The first poem was "What to Carry" reproduced below, and the second was the title poem "Slicing the Bread" - reproduced in an earlier issue of this blog.


What to Carry

You never know when the war will come,
her mother said. You have to be ready.
Most things are unimportant.
You must take your gold, your family jewels.
Diamonds will buy you food.
Gold will save your life. Forget silver, too heavy.
Take sturdy boots with two pairs of socks,
a warm, goose-down comforter on your back,
one picture, no books. Leave it all.
You will have to walk, sleep in a ditch, walk.
Pack lightly. What you carry, will protect you.
From starving, from freezing. That’s what matters.
Goose-down and gold. Hunger and snow.

She still has her goose-down coverlet,
useless in California. Her mother squished it
into a suitcase the first time she came to visit.
The down came from geese plucked decades ago
in Bielewicze, by her Grandma, Nina.
Diamonds? She sold her rings
to pay for the divorce, keep the house
with pomegranates and orange trees.
Her shoes are useless too –
a rainbow of high heels in the closet.


READING DATES AND ADDRESSES

FEBRUARY 2015

Friday, February 20th, at 8:30 p.m. Santa Monica Third Fridays at the Rapp Saloon Poetry Reading Hosted by Elena Secota Featured Poet, with Joe Camhi
The Rapp Saloon, 1436 2nd St, Santa Monica, CA 90401, https://www.facebook.com/events/332585603610874/

Sunday, February 22nd, at 4:30 p.m. Village Poets Monthly Reading. Bolton Hall Museum, 10110 Commerce Avenue, Tujunga, CA 91042. Featured Poet.

Thursday, February 26th, at 7:30 p.m. Ventura Ventura Poets Reading hosted by Phil Taggart “Voices of Survivors” book reading from  “Slicing the Bread” with Ed Rosenthal reading from “A Desert Hat” inspired by being lost and found in the Mojave Desert
E. P. Foster Library, 651 East Main Street, Ventura, CA 93001 Phone (805) 648-2716

Friday, February 27th, at 8:00 p.m. Featured poet at Poetry Open Mike, Host Victor Sotomayor, Sylmar
Tia Chucha's Centro Cultural, 13197 Gladstone Avenue "A" Sylmar, CA 91342
(cross street/210 exit: Hubbard) Phone:(818) 939-3433

MARCH 2015

Sunday, March 15th, at 4-6 p.m
. Louis Jane Studio, Pasadena Poets And Verse – An Exploration Of Life’s Journey with Guest Artist: Lynda Pyka, and poets Cindy Rinne, Lois P. Jones, Deborah P. Kolodji, Taoli-Ambika Talwar, Gerda Govine and Kathabela Wilson
Louis Jane Studio, 93 East Union Street, Pasadena, CA 91103, (626) 796-8333
Louisjane.com

APRIL 2015

Sunday, April 5th, at 7pm (Easter Sunday)
co-feature at Catcher in the Rye  for the  "Speakeasy Sunday" reading organized by the Los Angeles Poet Society.  10550 Riverside Drive, Toluca Lake, CA 91602 http://www.losangelespoetsociety.org/#!speakeasy-sunday/c8wb


Sunday, April 19th, at 2:00pm Moonday Poetry Hosted by Alice Pero and Lois P. Jones “Woman in Metaphor “Group Reading from an Anthology edited by Maria Elena B. Meyer
Flintridge Bookstore and Coffeehouse, 1010 Foothill Boulevard, La Cañada Flintridge, CA 9101, Phone:(818) 790-0717 www.moondaypoetry.com

MAY 2015

Saturday, May 9th, 3 p.m. Saturday Afternoon Poetry, Pasadena, hosted by Don Kingfisher Campbell.
Santa Catalina Branch of the Pasadena Public Library.
 999 E. Washington Blvd., Pasadena (east of Lake Blvd).

Saturday, May 16th, 4 p.m. Beyond Baroque Literary Arts Center, Venice “Crossing Dark Borders: The Poetry of Shadow, Shade and Long Night.” Lisa Cheby , Georgia Jones-Davis and Maja Trochimczyk celebrate the publication of their new chapbooks. Beyond Baroque 681 Venice Boulevard, Venice, CA 90291 (310) 822-3006 www.beyondbaroque.org

JUNE 2015

Saturday, June 6th, at 4 p.m. Unbuckled Poetry in North Hollywood hosted by Radomir Luza. “Voices of Survivors” – a joint reading with Ed Rosenthal, author of The Desert Hat and survivor of being lost in the Mojave Desert. 10943 Camarillo Street, North Hollywood, 91602 818-769-1145
http://www.nohoartsdistrict.com/theatres/arts/theatre-unlimited-t-u-studios/6-unbuckled-poetry

Tuesday, June 9th, at 7 p.m. The Palace Poetry Group Presents "Slicing the Bread / Krojenie Chleba"
A Bilingual Poetry Reading  by Dr. Maja Trochimczyk at the DeWitt Community Library, DeWitt near Syracuse, NY 3649 Erie Blvd. East, DeWitt, NY 13214  Tel.: (315) 446-3578 www.dewlib.org





MORE ABOUT THE BOOK

ISBN-10: 1622296877 ISBN-13: 978-1622296873. Available on Amazon, Finishing Line Press, etc.
Published by Finishing Line Press (December 2014)
https://finishinglinepress.com/product_info.php?products_id=2149 http://poetrylaurels.blogspot.com/2014/07/finishing-line-press-to-publish-slicing.html

DESCRIPTION

This unique poetry collection revisits the dark days of World War II and the post-war occupation of Poland by the Soviet Union that “liberated” the country from one foreign oppression to replace it with another. The point of view is that of children, raised by survivors, scarred by war, wary of politics. Children experienced the hunger and cold, witnessed the killings, saw the darkening blood spilled on the snow and hands stretching from locked boxcar windows. Some heardthe voices of murdered Jews like “bees in the breeze,” others learned never to throw any food away, because “war is hunger.” The poems, each inspired by a single object giving rise to memories like Proust’s madeleine (a spoon, a coat, the smell of incense), are divided into three sections, starting with snapshots of World War II in the Polish Borderlands (Kresy) and in central Poland. Reflections onthe Germans’ brutalkillings of Jews and Poles are followed by insights into the way the long shadow of THE war darkened a childhood spent behind the Iron Curtain. For poet Georgia Jones Davis, this book, “brings the experience of war into shocking, immediate focus” through Trochimczyk’s use of “her weapon: Language at its most precise and lyrical, understated and piercingly visual.”

According to Pulitzer-Prize nominated poet John Guzlowski, Maja’s “poems about what the Poles suffered both during World War II and The Cold War afterwards are written with the clarity of truth and the fullness of poetry… Here are the stories of how the people she loved experienced hunger and suffering and terror so strong that it defined them and taught her, and teach us, the meaning of family.” A fellow Polish-American poet, Linda Nemec Foster praises the “unwavering honesty” and “stark imagery” of Trochimczyk’s poetry that “bear witness to the hate that destroys, to the truth that restores, and to the poetic vision that honors our common humanity.” The Tieferet Prize winner and Poets-Café host Lois P. Jones points out the “vivid and heartbreaking detail” of poems that “will move you to appreciate the simple privileges and necessities of life.” As Jones wisely observes “It is the duty of the poet to convey story, but it is the art of the poet who can transform our often cruel and brutal history and affect forever, the way we look and listen to the world.” Poet Sharon Chmielarz concurs: “You will remember the taste of this book.”