Showing posts with label Pasadena LitFest. Show all posts
Showing posts with label Pasadena LitFest. Show all posts

Tuesday, May 9, 2017

Poets Laureate at the Pasadena Lit Fest - May 21, 3:30 p.m. at Zona Rosa Alley by Pasadena Playhouse



Altadena Poetry Review Presents


SIX POET LAUREATES: SPREADING POETRY LOVE 

Poet Laureates from the 2016 and 2017 Altadena Anthologies will be the Featured Poets on our Pas LitFest panel at the Zona Rosa Alley, next to the Pasadena Playouse, in Pasadena on SUNDAY, MAY 21, 2017, from 3:30pm-4:45pm. Five Laureates will present their work:

-- Elsa Frausto
-- Marlene Hitt
--Mary Langer Thompson
--Radomir Vojtech Luza
--Maja Trochimczyk
--Thelma Reyna

 

Pasadena LitFest will be on May 20 and 21, with multiple venues and lots of great poets and writers to hear. Visit the website of the LitFest 2017 for details, check out the schedule, or read the bios of the poets and writers.  


ELSA S. FRAUSTO


Elsa Frausto passes the Poet Laureate's Laurels to Pam Shea, April 2017


Originally from Buenos Aires, Argentina, Elsa is a bilingual poet. She has been active in local poetry events as coordinator and host, most recently with “Wide Open Readings” at the Sunland-Tujunga Library. Her book of poems--Sunland Park Poems (Shabda Press), which she co-wrote with Alice Pero--was recently published. Elsa was Poet Laureate of Sunland-Tujunga in 2014-2017.



MARLENE HITT



Marlene Hitt is a Los Angeles poet, writer and retired educator with local history
 as an avocation. She has served for many years as Archivist, Museum Director 
and Historian at the Bolton Hall Museum in Tujunga. She is a native Californian
 and a graduate of Occidental College. She also studied at CSUN, USC, UCLA, Glendale
 College and Trinity College, Ireland. Her work appeared in Psychopoetica (UK), Chupa 
Rosa Diaries of the Chupa Rosa Writers, Sunland (2001-2003), Glendale College’s 
Eclipseanthologies, two Moonrise Press anthologies, Chopin with Cherries (2010), 
Meditations on Divine Names (2012), and Sometimes in the Open, a collection of verse 
by California Poets Laureate. She published Sad with Cinnamon, Mint Leaves,and
 Bent Grass (all in 2001), as well as Riddle in the Rain with Dorothy Skiles, and a stack 
of chapbooks for friends and family.


The first Poet Laureate of Sunland Tujunga (1999-2001), Marlene Hitt was honored as the 2016 Woman of the Year by the Congressman Adam Schiff and her name was entered into a congressional record.



Clocks and Water Drops - Poetry Collection by Marlene Hitt

Published in May 2015. 118 pages.  ISBN 978-0-9819693-5-0, $15.00
This collection of poetry includes 73 poems divided into sections on: Children, Marriages, Portraits, Neighbors, Seasons, Small Things, Passages, and Farewells.  The title captures the poet's fascination with the flow of time, as relentless and powerful as drops of water that can shape rocks and move mountains. 

RADOMIR LUZA



Poet Laureate of North Hollywood, CA, Radomir is a Pushcart Prize Nominee and author of 30 books. His poetry has been published in over 80 anthologies, literary journals, blogs, websites, newspapers, magazines and other media. The SAG/AFTRA/AEA actor is also a stand-up comedian, theatre critic and host/curator of reading events around the country.  He edits and publishes the literary magazine, VOICES IN THE LIBRARY, through Red Doubloon Publishing.
                   
THELMA T. REYNA, Ph.D.


Thelma T. Reyna’s books have collectively won eight national literary awards. She has written four books: a short story collection, two poetry chapbooks, and a full-length poetry collection, Rising, Falling, All of Us. Her fiction, poetry, and nonfiction have appeared in literary journals, anthologies, textbooks, and regional media for over 25 years. As Poet Laureate in Altadena, 2014-2016, she edited the Altadena Poetry Review Anthology: 2015, as well as the 2016 anthology, which was the Winner in two national book competitions in 2016 (Anthology category). She was selected as a “Top 10 San Gabriel Valley Poet, 2016” by Spectrum Publications. She is also chief editor/publisher at Golden Foothills Press, based in Pasadena. Visit her site at www.GoldenFoothillsPress.com .

MARY LANGER THOMPSON, Ed.D.




Mary Langer Thompson’s poems, short stories, and essays appear in various journals and anthologies. She is a contributor to two poetry writing texts, The Working Poet (Autumn Press, 2009) and Women and Poetry: Writing, Revising, Publishing and Teaching (McFarland, 2012), and was the 2012 Senior Poet Laureate of California. Her first collection of poems, Poems in Water, was published by Green Fuse Poetic Arts of Loveland, Colorado in 2014, and she is working on a second collection entitled “It’s a School Night.” Her children’s book How the Blue-Tongued Skink got his Blue Tongue was recently released by Another Think Coming Press. A retired school principal and former secondary English teacher, Langer Thompson received her Ed.D. from the University of California, Los Angeles. She continues to enjoy conducting writing workshops for schools, prisons, and in her community of the high desert of California.

MAJA TROCHIMCZYK, Ph.D.




Maja Trochimczyk, Ph.D. (McGill’94), is a poet, music historian, and photographer born in Poland and living in California. She published six  books on music (After Chopin, The Music of Louis Andriessen, Polish Dance in Southern California, A Romantic Century in Polish Music, Frederic Chopin: A Research and Information Guide, and Lutoslawski Legacy), six books of poetry (Miriam’s Iris, 2008; Rose Always, 2011; Slicing the Bread, 2014; The Rainy Bread,2016; and Into Light, 2016) as well as  two anthologies, Chopin with Cherries (2010), andMeditations on Divine Names (2012). She also published 17 book chapters, 26 peer-reviewed articles, and hundreds of essays and poems that appeared in English, Polish, German, French, Chinese, Spanish and Serbian translations. A recipient of ACLS and SSRCC post-doctoral grants, and many honors for the promotion of Polish culture, she taught music history at the University of Southern California and ethics in jail. She recently received the 2016 Creative Arts Prize from the Polish American Historical Association. She serves as Secretary and Communications Director for Polish American Historical Association and was the Sixth Poet Laureate of Sunland-Tujunga in 2010-2012. In 2008, she founded Moonrise Press. More... or visit the website:  www.trochimczyk.net


Into Light: Poems and Incantations 

This poetry and prayer collection presents 35 poems and 12 "incantations" that focus on the intertwined spiritual concepts of Light and Love. The poems, initially written within the Catholic mystical tradition of contemplation and adoration of the Divine presence, gradually evolved to encompass a broader scope of spiritual insights, without losing the main focus: reaching out in Love to the One Light, the Source of All. The simple and repetitive meditations and incantations are meant to inspire, uplift, and fill the heart with Light and Love. 
Available as a Paperback with 82 pages in a standard trade size 6' by 9' (ISBN 978-0-9963981-8-3, $10.00), Full Color Paperback, in the same size, ISBN9781945938030 ($30.00) and as E-Book in the EPUB Format, ISBN 978-0-9963981-9-0, $8.00).



The Rainy Bread: Poems from Exile by Maja Trochimczyk


This volume includes 30 poems about forgotten stories of Poles living in the Eastern Borderlands of Kresy, who were killed, deported, imprisoned, or oppressed after the invasion of Poland by the Soviet Union on September 17, 1939.  These are depictions of survival of other Poles deported to Siberia, the Arctic Circle, or Kazakhstan; who left the Soviet Union with the Second Corps of the Polish Army under General Władysław Anders; were transported to refugee camps in India or Africa; and ended up in Argentina, Canada, Australia or the U.S. The book is a companion to “Slicing the Bread: Children’s Survival Manual in 25 Poems” (Finishing Line Press, 2014), with which it shares some poems, including vignettes from the author’s childhood in Warsaw, permeated by the strange rhetoric of the Polish People’s Republic, yet still overshadowed by the war.

ISBN 9781945938009, paperback, 64 pages, $10.00

ISBN 9781945938016, eBook, $8.00

Friday, May 10, 2013

The Spring with Birds and Susan Dobay's Art from China


April showers, May flowers... and birdsong. During the Village Poets reading at the La Crescenta Library, my fellow poets formed a chorus of birds, using children's toys from Poland - little bird sculptures that are half-filled with water and whistle like birds. These poetic birds provided a background and refrains to my poem, inspired by Susan Dobay's painting, "Musicscape 12" - the same painting was also featured at the "Co-Inspirators" reading at Pasadena Public Library, organized by Rey R. Luminarias.

Reading with Musicscape 12, Scenic Drive Gallery in Monrovia, 2012


See, how we dance?

~ inspired by Susan Dobay's "Musicscape  12"

Simon says – “grow”
and our roots reach for water
our branches for the sun

Simon says – “blossom”
and our pink petals open
in a gold mist of newness

 Simon says – “sing”
and we let the breeze whisper
with hummingbirds, jewels, leaves

 Simon says – “fly”
and we turn and turn again
in swirling clouds, voiceless music, dancing

This poem is published in Poets on Site's anthology, "On Awakening" edited by Kathabela Wilson (Pasadena, 2012),  and on display at the LitFest on May 11, 2013 (10 a.m. to 5 p.m. Pasadena’s Central Park. 275 South Raymond Avenue). For schedule. http://litfestpasadena.org/ The LitFest will feature panels, readings, performances... You will meet Kathabela and Poets on Site. You will be able to paint a poem on Just Kibbe's car...

At the Pasadena LitFest 2012 with Kathabela Wilson

The month of May, honored by so many poets as the month of love and romance, is not considered a good month to be married in. Apparently, the romance of May is short-lived; for the marriage to survive you have to tie the knot in June or September!

While reading an exceedingly bizarre treatise by a 19th century Swedish mystic, Swedenborg, I was struck by his vision of Heaven in which eight-limbed creatures float by; these creatures consist of couples that found their perfect match and are blended into one being while the ones that are still single frantically search for their better half. How far do you have to go to find an ideal person to share your life with?

Sometimes very far, sometimes you’ll meet that person in high school or earlier. The partners in one of the best marriages I know met in seventh grade Another happily married octogenarian admitted that every day she feels a flush of joy when she hears the key turning in the lock when her husband comes home. Her friends who long ago stopped talking to their husbands and are now living in a marriage of “suspended animation” or a “permanent truce” laugh at her “silly infatuation,” but, she says, it took years of hard work to get there. Someone else said that the secret to a happy marriage is “compromise” – how distant from romantic love! How close to the “arranged marriage” of so many cultures!

Arranged or not, each culture has different wedding customs. For instance, in China, the bride’s traditional shoes, veil and other wedding clothes and symbols were red (red is also used in India). There even was a special calligraphy symbol of “Double Happiness” that decorated wedding gifts, to bring joy and happiness to the newly-wed couple. What would happen if you leave that tradition behind?

 During her trip to China, Hungarian American artist Susan Dobay saw a bewildered looking Chinese bride in a white, Western-style dress and used the picture in her artwork, called Bride on the Rock. This image gave rise to my poem and here it is…


Vision, Unveiled


“Why are you leaving us?”
Chinese characters dissipate in the air

Clouds descend
Down the waterfall of jade

Clouds float down
The slopes of aquamarine

“Where are you going?
Why are you doing this?”

Centuries of crystal
Petrified traditions stand silent

Watching over
The white tulle of a Cinderella dress

The dark-haired bride
Is anxious without her talisman

Lost without the red hue
Of prosperity, crimson joy she hides

The sign of double happiness
Marked in blood-red ink

 Under the pristine silk
 Of her bridal gown

They cannot see – she listens
To the whisper of the crevices

Her veil flutters
On the breeze


© 2013 by Maja Trochimczyk




Since the path of the bride took her away from her roots in Chinese tradition, I decided to add a poem about a young girl who went in the opposite direction – towards the wisdom of her ancestors, symbolized by learning to count in Chinese. It is important to find a balance between staying connected to tradition, and making a new place for yourself in the world. Sometimes it takes a lifetime…just like a good marriage.





A Skipping Lesson 

One Two Three 
En Deux Troix 
Ein Zwei Drei 

she learned to count
like the foreigners
do

she skips up the steps
and stops at the top

attentive

she listens to stories
of her ancestors
deep within
her veins

Yee Uhr Sahn 
Suh Woo Lyo 

blood circling
from her heart
to her breath

tomorrow

she'll learn to count
all the bright red hats
on the way through
the city

in Chinese

Yee Uhr Sahn 
Suh Woo Lyo 
Chee Bah Jyo 
Shi 


(c) 2013 by Maja Trochimczyk
“A Skipping Lesson” was published in Quill and Parchment, March 2013.

The three stages of life - childhood, adulthood, maturity receive different degrees of attention in  Western society.  Our gaze stops at the peak, the bride at the summit, the young man at the top of his prowess. We look in fondness at children, give too much attention to adolescence as a distinct and different stage in life (replete with its own, highly commercialized culture), and tend to devalue the wisdom of age.  "What creature walks on four legs, then on two, then on three?" Asked the Sphinx? The answer - a human being, crawling, walking and shuffling along with a cane...

A friend of mine, in her mid sixties, complained with exasperation how she hates being patronized by people in public spaces, ignored, disrespected, belittled, like a child. "And hare we today, dearie..." "Aren't we flustered..."  She's talked down to by silly teenagers, shop attendants, nurses, as if she were already senile, useless... In China, the ancestors are revered, Confucianism places a premium on proper respect and obedience to the elders. The wisdom of the elders is also recognized in Native American traditions. Tbe women's wisdom is the key to survival, endurance, no matter what. Sometimes very hard, sometimes it is the only way.

My third poem from the "Women's Trilogy inspired by Susan Dobay" deals with the wisdom that old women share with the youngsters. If you learn, you will survive, if not, you will become a forgotten part of history, that little corner that someone might once discover, for it was not written by victors and is of little import on the public stage. This poem is published in the current issue of The Statement Magazine, a literary journal of California State University at Los Angeles. Come to the publication party on May 16, 2013 at 6:30 p.m. in the Golden Eagle Ballroom of CSULA.



... Too Bold 

The ancestors’ weight heavy on their shoulders
The ages’ wisdom embroidered on their skin

 Bend down, bend down 
 You will not be broken 

Tall stems of rice bow low before the wind
Slide through the onslaught, a sudden surge of war

Young mothers whisper silence to their daughters
Girls watch, repeat the gestures of their kin

Bend down, bend down 
You will not be broken 

You have to learn the art of disappearing
Invisible, you will outlive the strangest times

Be still, be patient, breathe the longest hours
You have to do it all and remain unseen

Women alone survived in our village
Into the river silver tears have flown

Bend down, bend down 
You will not be broken 

Bend down, bend down 
You will not…


 © 2013 by Maja Trochimczyk
.